Thursday, February 09, 2012

TESTING...TESTING...STEP UP TO THE MIKE

Just a quick post to try out this uploading site i'm looking at using.
Could you have a go at grabbing it to let me know how it works from a downloading perspective.
Please use the comments section to let me know if it works okay.

VARIOUS - New York Metal II (1990) USA
Rockcity Records RC-004

192kbps

01. DEVIAS - Bad Girls (3:39)
02. ROCKSLIDE - Crazy Lady (4:29)
03. GRIMM JACK - Downtown (3:04)
04. HANG 'EM HIGH - Paradise (3:10)
05. STREET PIRATES - Hells Kitchen (4:14)
06. CANNON - Coming Down On You (3:49)
07. KIDD BLAST - Rockin' Horse Rock (3:47)
08. MAJENTA - Gone Tomorrow (3:35)
09. 3 DAYZ DIRTY - I Want It, You Got It (3:39)
10. DIRTY HANDS - The Score (2:36)
11. JUSTICE - Freedom (3:47)
12. PRANCER - Like It (2:56)

Rockcity Records was a label run by Lou Vetere, former vocalist for TEAZER.
The label released the 1984 compilation LP "New York Metal - 84", which featured the likes of VIRGIN STEELE, OVERKILL and BLACK LACE.
1990 saw the label's final release, a belated follow up to the earlier compilation, the cleverly titled, "New York Metal II".
By this time Rockcity had moved away from its pure Metal roots, though as a Hard Rock compilation this album is rather good.

Here's a track-by-track review of the album by Keir from http://www.thecorroseum.com/comps/

DEVIAS - Bad Girls : Glammy Hard Rock with some great Metal guitars that remind me of LIZZY BORDEN's more mainstream work. Features the vocals of Frank Vestry who sang on the debut LP by BURNING STARR.
ROCKSLIDE - Crazy Lady : Good melodic Metal with a bit of a LILLIAN AXE feel to it.
GRIMM JACK - Downtown : Decent Hard Rock/Sleaze.
HANG 'EM HIGH - Paradise : Bluesy Hard Rock in the style of BADLANDS.
STREET PIRATES - Hell's Kitchen : Awkward Sleaze, though I can hear some influence from heavier artists such as OZZY OSBOURNE.
CANNON - Coming Down On You : Early '80s style American Hard Rock/Heavy Metal with an end of the decade commercial edge.
KIDD BLAST - Rockin' Horse Rock : This is basically TAKASHI with Lou Vetere himself on vocals (under the pseudonym Vixx Vett). Unfortunatly they play lame Sleaze/Party Rock on this track.
MAJENTA - Gone Tomorrow : Odd mix of Progressive Metal and mainstream Hard Rock like QUEENSRYCHE meets Y&T.
3 DAYZ DIRTY - I Want It, You Got It : Boring Glam/Sleaze.
DIRTY HANDS - The Score : Heavily distorted guitars and gravelly vocals usually indicate Metal, but when you strip those away it's just old fashioned Rock and Roll.
JUSTICE - Freedom : Good but sloppy US Metal.
PRANCER - Like It : Female fronted Hard Rock, like a less metallic BLACK LACE.

art & txt included

VARIOUS - New York Metal II (1990) USA

http://www.mirrorcreator.com/files/1I6CKM4B/VARIOUS_-_New_York_Metal_II_%28USA-1985%29.rar_links

no pw

Thursday, February 02, 2012

THE STILLBORN STOAT

In the aftermath of the recent actions undertaken against filehosting sites, there won't be any new posts at this blog for a while.
I want to wait and see how the cards fall once the dust settles before deciding which filehost best serves my needs, or if indeed there's any real future in uploading to filehosting sites.
Perhaps a better alternative will emerge.
I'm pretty gutted that 2 years worth of uploads were wiped out in a flash by the actions of the FBI, but i'll get over it.
Thanks for your continued interest & support, it's much appreciated.
Don't worry, i'll be back in action in some shape or form before too long.
Rawk on,
Bigfootkit

Monday, January 02, 2012

PAINTING THE NURSERY

A Happy New Year to you all!
Here's hoping that 2012 brings us all good health, wisdom and happiness.
I done got me a new fangled computer for my Xmas, and have been trying to get all my old shit onto my new hd ever since. Hence the delay in bringing you this latest post.
Think of it as a belated Xmas present.
Up first, formed in Manchester in 1981, Hard Rock/NWOBHM band SAM THUNDER were a five piece band formed by Guitarists Steve Ferguson and Nick Bennett and Bass player Rob Naylor.
After numerous personnel changes the band stabilised their line up in early 1982 with the arrival of ex-ARAGORN drummer Chris Dadson and recorded a 3 song demo tape.
The tape brought them positive reviews in the music press and helped create a strong buzz about the band.
Kerrang! magazine were enthusiastic, describing Sam Thunder in their "Armed & Ready" section as purveyors of "Hard-edged class Rock’n'Roll."
After time spent gigging, more personnel changes saw Will Glover arrive on Vocals and Andy Chemney on Drums.
Chemney replaced Chris Dadson, who left to join CHATEAUX, appearing on their "Fire Power" and "Highly Strung" albums.
The French based Bullet Records (home of GEDDES AXE, LE GRIFFE & TRAITOR'S GATE), approached the band in 1983 to record an EP for the label.
The three song EP, "Don't Take Forever", was released in early 1984, and sold well enough for Bullet to opt to fund a full album.
Before recording on the LP began Mike Hepplestone was added to the band as Keyboard player.
The resulting album, the ten song "Manoeuvres", was released later that same year, in the picture disc format only.
The addition of prominent keyboards give many of the songs a Pomp/Prog/AOR flavour, but the underlying Hard Rock feel remains the same under all the window dressing.
Unfortunately, Bullet Records went belly up soon after, and unable to secure a new deal, Sam Thunder followed suit in 1985.

SAM THUNDER - Manoeuvres (1984) UK

http://www.megaupload.com/?d=E3DSQ82F

Mid '70s Los Angeles Hard Rock quartet THE BOYZ were managed by the notorious maverick figure of Kim Fowley.
A three song demo was recorded in 1975 with producer Paul Ratajack.
The tape brought the band to the attention of KISS bassist Gene Simmons who auditioned the band with a view to managing them, but in the end passed on The Boyz.
The group were constant fixtures on the L.A. club circuit, being supported by both VAN HALEN and QUIET RIOT and conversely supporting THE RUNAWAYS amongst others.
With no record deal for The Boyz forthcoming, guitarist George Lynch, bass player Monte Zufelt and drummer Mick Brown left to form XCITER in 1977.
Ex-The Boyz singer MICHAEL WHITE later went on to form LA ROX with future W.A.S.P. man Randy Piper, THE WHITE with guitarist Lanny Cordola, then fronted LONDON for a stint, before going solo for a 1987 album.
After recruiting talented singer Gregg "Greeg" Sanford, XCiter recorded a four song demo tape at Orion Studios with producer Phil Bateman.
The material showed a talented band who sounded like a cross between early JUDAS PRIEST and VAN HALEN if you can imagine such a thing.
The demo led the band onto the Sunset Strip venue merry-go-round, with XCiter regular performers at clubs such as The Starwood, The Whiskey-A-Go-Go and The Troubador.
Singer Sanford departed in early 1979, and was replaced by a female vocalist, the extraordinarily named Lisa Furspanker.
The new material written with Furspanker saw XCiter move in a slightly more commercial direction than before, but Lynch's incendiary guitarwork kept things sounding tough.
Lynch's fretboard skills then brought him to the attention of the newly solo OZZY OSBOURNE.
Auditioning for Ozzy's band, Lynch lost out ultimately to former Quiet Riot axe man Randy Rhoads.
Xciter then recorded a further four song demo with producer Tony Eubanks, recorded this time at Phallanx Studios.
In late '79, Furspanker was shown the door and replaced by the returning Sanford.
However, fate intervened in 1980, when Don Dokken extended an invitation to Lynch and Brown to join DOKKEN who had just secured a record deal thanks to a demo which they had both guested on.
Both felt they'd given XCiter their best shot, and so split the band in order to join forces with Dokken.
Xciter didn't officially release any material during their lifetime, but in 2006 Wounded Bird Records combined the band's demos to issue a self-titled album.
It's a fascinating snap-shot of that period of time before Brown and Lynch hit the big time with Dokken, and includes a 1977 take on "Paris Is Burning", which Dokken later re-recorded.

XCITER - XCiter (1977-1979) USA

http://www.megaupload.com/?d=28CTIRI8

And now, i'm happy to bring you two vintage BBC live sets courtesy of the redoubtable Weaselkin1. Thanks again for your generosity in sharing these!
Southern Rockers THE OUTLAWS, known to their fans as 'The Guitar Army', were formed by former DAVE & THE DIAMONDS, ROGUE and FOUR LETTER WORDS vocalist/guitarist Hughie Thomasson.
Prior to the band's first album the OUTLAWS had been led by Frank Guidry and included ex-DAVE & THE DIAMONDS personnel Dave Dix and Herbie Pino.
The band recruited Thomasson and drummer Billy Jones but shortly after fell apart when Guidry opted out of the music business.
Thomasson decided to keep the name with Guidry's approval.
The new unit saw Jones switch instruments to become a guitar player, Thomasson took vocals and guitar, bass was in the hands of Frank O'Keefe, Monte Yoho became the drummer and ex-SIENNA man Henry Paul came in on vocals.
Soon the new look band was under the business guidance of ex-LYNYRD SKYNYRD manager Alan Walden.
A showcase gig as guests to LYNYRD SKYNYRD secured the OUTLAWS a deal with major label Arista Records.
Arista was a brand new label and interest in their first signing was high.
Their self-titled debut 1975 album, produced by Paul A. Rothchild, and accompanying single "There Goes Another Love Song", were both hits.
In 1976 the OUTLAWS hit the road with a vengeance as the opening act on LYNYRD SKYNYRD's American tour.
The band also toured in the States as guests to THE ROLLING STONES, (on their "Black And Blue" tour), LITTLE FEAT, MARSHALL TUCKER BAND and also made their first foray into Europe as support to THE WHO.
The band remained stable until 1977's Bill Szymczyk produced "Hurry Sundown", which saw O'Keefe's departure, his place being filled by Harvey Dalton Arnold.
The OUTLAWS were by now evolving their sound, combining a distinctive Southern guitar flavour with vocal harmonies.
Paul opted out following this release, creating the HENRY PAUL BAND, releasing four albums for Atlantic Records, gradually moving in a more AOR vein.
Their "Bring It Back Alive", live album, recorded on the band's 1977 American tour at shows in Chicago, Miami, San Diego and Santa Monica heralded further new members in guitarist/vocalist Freddie Salem, formerly with THE CHAMBERS BROTHERS, and returning drummer David Dix.
The OUTLAWS first live album gave the band a hard earned gold record.
The 1978 album "Playin' To Win", was produced by Mutt Lange, although by now the band was struggling to maintain sales despite still being a concert draw nationwide.
Arnold was to leave to join THE HENRY PAUL BAND following the 1979 Johnny Sandlin produced "In The Eye Of The Storm", album and the OUTLAWS drafted in Rick Cua as substitute.
The record included the ELVIS COSTELLO written 'Miracle Man' and sales started to pick up once again.
Gary Lyons took the production reins for the next Outlaws album, 1980's "Ghost Riders".
The record revitalized the band's career with both single and album charting.
1982's "Los Hombres Malo" renewed the production partnership with Lyons and saw songwriting contributions from SURVIVOR's Jim Peterik and SAMMY HAGAR.
The album saw the departure of Jones who took to a career in medicine, (sadly committing suicide some years later).
Cua also quit the band after this effort to pursue what would be a rather successful career as a Christian Rock artist.
Jones also left at the same juncture.
Salem hooked up with the legendary Ohio biker band THE GODZ following a lone album as FREDDIE SALEM AND THE WILDCATS.
The OUTLAWS reformed in 1986 for a new recording, the "Soldiers Of Fortune" album.
The line-up saw Thomasson and Dix reunited with Henry Paul and with new members bassist Chuck Glass and guitarist Steve Grisham.
Guitarist JON BUTCHER added backing vocals and keyboards came courtesy of Randy Bishop.
Grisham was succeeded by Chris Hicks after the album was released.
Prior to the tour ex-MOTHER'S FINEST, MOLLY HATCHET and ILLUSION man Barry "B.B." Borden joined on drums
The group appeared at the Reading Festival that year, the group's first gig in Britain since 1977.
The band persevered but only Thomasson, Borden and Hicks remained.
For the 1993 live "Hittin' The Road", record they were joined by Timothy Cabe on guitar & Jeff Howell on bass.
Cabe left before the 1994 studio album "Diablo Canyon", which saw guest sessions from LYNYRD SKYNYRD's Gary Rossington and Billy Powell.
Thomasson joined LYNYRD SKYNYRD during 1996 and stayed with the band until his premature death on the 9th of September 2007 at just 55 years old.
During his time with Skynyrd, Thomasson played on 4 studio albums, ("Twenty", "Edge Of Forever", "Christmas Time Again" and "Vicious Cycle"), and on 3 live albums.
Chris Hicks teamed up with THE MARSHALL TUCKER BAND in 1997 and released a solo album "Funky Broadway", the following year which featured Borden on drums.
Barry Borden was to drum on THE MARSHALL TUCKER BAND's 1998 record "Face Down In The Blues", and their 1999 "Gospel", outing.
During early 2004 Henry Paul formed the SOUTHERN ROCK RENEGADES, an all-star celebration of Southern Rock featuring an elite cast of players.
Fronted by Paul and WET WILLIE vocalist Jimmy Hall, guitars were supplied by an illustrious trio of LYNYRD SKYNYRD veteran Ed King, 38 SPECIAL's Jeff Carlisi and the MARSHALL TUCKER BAND's George McCorkle.
Guest vocals came courtesy of Alison Heafner whilst ATLANTA RHYTHM SECTION's Robert Nix delivered the drums.

THE OUTLAWS - BBC In Concert - Reading Festival (1986) USA

http://www.megaupload.com/?d=GTUOYVSQ

DUMPY'S RUSTY NUTS were an infamous London based band formed in 1981 by ardent biker "Dumpy" Dunnell, a character who had previously been a member of THE RIVVITS. Renowned over the years for their many appearances at biker festivals, the group was originally titled DUMPY'S DIRT BAND and the transition to DUMPY'S RUSTY NUTS came in 1981 when the frontman was joined by Mac McKenzie on bass and drummer Chris Hussey, both previously members of NUTHIN' FANCY.
Unbelievably the band had to change its name to DUMPY'S RUSTY BOLTS to secure airplay for the debut 1982 'Just For Kicks' single when DJ's deemed the original band name too lewd. Sometime afterwards, Mac McKenzie left to rejoin NUTHIN' FANCY (much later ending up as manager of THUNDER) and was replaced by Jeff Brown, although he lasted for only a short period of time before making way in 1983 for Kerry Langford.
The band suffered a severe setback in 1984 when their record label folded. The advertised 'Rock The Nation' EP never surfaced commercially although mysteriously copies came to light much later.
By 1984 the band included former TANK drummer Mark Brabbs, and this was the line up responsible for the "Somewhere In England" album, a 16-track 2-LP vinyl set recorded live at the London Marquee Club, where they were a regular and popular attraction. Brabbs quit and left the fold with Langford in early 1986 and the pair were promptly replaced by bassist Alan Fish and drummer Mick Kirton, both ex-GROUNDHOGS. Fish was also a veteran of NWoBHM band ZORRO, a founder member of TREDEGAR and involved with AUTOLAND COMMAND.
The band's line-up remained ever fluid, even at one point seeing bassist Alan Davey and drummer Danny Thompson on temporary leave from HAWKWIND with Fish having departed to form EGYPT. Ex CLOVEN HOOF guitarist Mick Grafton also enlisted for a short stint, whilst yet another bassist, Graham Le Mon, joined in 1987 , the same year that the 'Get Out On The Road' album was issued. The record featured HAWKWIND mainman DAVE BROCK as a guest. Kirton was later to leave to join HAWKWIND.
In 1991 the band released a cover version of JO JO GUNNE's 'Run, Run' Run' as a single, but while DUMPYS RUSTY NUTS are still a going concern, no further product has surfaced. Dumpy is also now a sometime member of the venerable psychedelic institution we know as HAWKWIND.
"Here he is playing with his nuts at a holiday camp at the Kerrang! Wooargh! Weekender Festival, held in Caister, Great Yarmouth, in October 1984.
Organised by Kerrang and featuring bands such as Motorhead, Spider, Nazareth, Phil Lynott's Grand Slam, Waysted and prog band Twelfth Night.
The Hawkwind connection is alive and well here too with Nik Turner guesting with the band on 'Cross Keys'. Enjoy!" Weaselkin1

DUMPY'S RUSTY NUTS - BBC In Concert : Live At The Kerrang! Wooargh! Weekender Festival (1984) UK

http://www.megaupload.com/?d=5Q3HZWBD

The "Friday Rock Show" was a radio show in the United Kingdom that was broadcast on BBC Radio 1 from 10pm to midnight on Friday nights from 1978 to 1993.
Throughout most of its run it was hosted by DJ Tommy Vance.
Ostensibly for the genre of rock in general, it was most closely associated with heavy metal.
In the early 1980's it was the only nationally available outlet for this genre of music, and Vance's enthusiasm for showcasing new bands and his rapport with fans made the show essential listening for rockers.
For most of its run, its intro and closing theme tune was the DIXIE DREGS instrumental "Take It Off The Top", and the quiz in the show "the Friday Night Connection" used the VAN DER GRAAF GENERATOR track "Theme One", other jingles were written and performed by ROSE TATTOO, SAMSON and VOW WOW.
The show generally included a studio session or live performance each week, arguably being the main reason fans tuned in.
Many of these studio sessions were engineered, mixed and produced by Dave Dade, who worked closely with show producer Tony Wilson.
Also featured were recordings from the BBC radio archives, both live and studio-sessions, from as far back as the late 1960s.
This material included bands such as LED ZEPPELIN, DEEP PURPLE, JETHRO TULL, URIAH HEEP, RUSH & GENESIS, among others.
At the time the majority of this material was not available on general release and even today, some remains unavailable to the general public, mainly because Tony Wilson took the tapes with him when he left the BBC.
Other features included "The Friday Night Connection", a quiz in which listeners had to identify three pieces of music and the connection between them, and the "Rock War" (later renamed "Rock Challenge" during the 1991 Gulf War), in which listeners were asked to vote for the best of three demo tapes sent in by aspiring bands.
Another feature was the listeners' all-time chart, which took place once a year on the show's anniversary/birthday (Now We Are 1, Now We Are 2, etc.), during which were played the most popular rock tracks, as voted for by the listeners.
(This invariably finished with Led Zeppelin's "Stairway to Heaven" at #1.)
The show played a significant role in the rise of the New Wave Of British Heavy Metal.
It had the additional good fortune of being able to "borrow" the 88-91 MHz FM transmitters of BBC Radio 2, allowing listeners to enjoy the music in the best available quality for the time, before Radio 1 finally acquired its own FM frequency in 1988.
Before this happened, the show was temporarily given an extra hour from 2100 to 2200.
This was heard on mediumwave only except in London and parts of the south east, where it was relayed by BBC Radio London's FM transmitter.
After Radio 1's move to 24-hour FM broadcasting, the show's time slot was put back half an hour to 2230 to 0030.
By 1993 the introduction into Britain of a much wider choice of television and radio channels had made heavy metal more accessible and the show less important, and Tommy Vance left Radio 1 to join the original line-up of Virgin Radio.
The show was taken over by Claire Sturgess, but ceased soon after.
The die-hard fans saw the appointment of Sturgess to front the programme as 'cancellation by the back-door'.
The format of the programme fundamentally changed when she took over, firmly setting out its stall in the 'contemporary thrash' genre and ignoring the programme's strengths, which lay in a balance between the classic and the contemporary.
The death knells of the Friday Rock Show were already sounding prior to the programme being moved to a slot on Sunday afternoon.
Recently there has been a comeback with Bruce Dickinson of IRON MAIDEN, who fronts the new Friday Rock Show on BBC 6 Music between 9 pm and 12 midnight.
In 1982 Polydor Records released an EP entitled "Radio 1 Rock Show Themes", featuring (as the title suggests), the theme music from the various rock shows on Radio 1.
It featured the themes from "The Friday Rock Show" (by Dixie Dregs), "Rock On" (by Whitesnake), and "The John Peel Show" (by Grinderswitch).
For this post, i've bolstered the original 3 song EP with 2 further bonus tracks from the Friday Rock Show, "Theme One", by Van Der Graaf Generator and the "T.V., Play That Rock'n'Roll" jingle by Rose Tattoo.
Enjoy!

VARIOUS - Radio 1 Rock Show Themes EP (1982) Various

http://www.megaupload.com/?d=51AUBRF8

After Seattle Hard Rock/Heavy Metal cult legends TKO broke up in 1987, Vocalist Brad Sinsel recorded an album's worth of demos in Hawaii as "Native Tongues", with producer Rick Keefer.
Dissatisfied with the more commercial direction of "Native Tongues", Sinsel then teamed up with his former MOJO HAND & TKO band mate, Q5 guitarist Rick Pierce.
This liason resulted in the formation of a short-lived new band which was eventually christened SUICIDE SQUAD.
Rounding out the band's line up were bassist Rick Bradley and former FASTBACKS drummer Richard Stuverud.
The bands demos led to a deal with the European Music For Nations record label who had previously released albums by TKO and Q5.
Suicide Squad's lone release turned out to be the 4 song 1988 "Live It While You Can" EP.
After the record's release Sinsel relocated to Los Angeles, joining a band featuring Suicide Squad drummer Richard Stuverud, which became WAR BABIES.
War Babies signed a deal with Columbia Records, recording a lone self-titled album which finally emerged in 1992.
War Babies lost their deal in 1993, and split up soon afterwards.
Sinsel now fronts AMERICAN STANDARD.
Post-Suicide Squad, Rick Pierce formed NIGHTSHADE with fellow ex Q5 member, vocalist Jonathan K.
An album, "Dead Of Night" surfaced in 1991 through Music For Nations, before personnel problems forced the band to take a long hiatus.
With a new rhythm section on board, a second Nightshade album, "Men Of Iron", was released through Hellion Records in 2001.
Suicide Squad's drummer, Richard Stuverud, went on to a short stint with FIFTH ANGEL, before joining LUV Co., which featured former War Babies and MOTHER LOVE BONE members.
He later teamed up with PEARL JAM bassist Jeff Ament and guitarist Robbi Robb of TRIBE AFTER TRIBE in the experimental project THREE FISH.
To date Three Fish have released two albums, a self titled 1996 debut and 1999's "The Quiet Table", as well as a single, "Laced".

SUICIDE SQUAD - Live It While You Can EP (1988) USA

http://www.megaupload.com/?d=TPTVOP8W

Irishman Bernie Tormé is a hugely talented guitarist renowned for some particularly wild axework and theatrics.
Such showmanship brought him close to 'guitar hero' status whilst in GILLAN in the late '70's & early '80's.
Tormé relocated to London from Ireland, forming SCRAPYARD in 1976.
A Hard Rock trio of Tormé, bassist Bernie Hagley, and drummer Roger Hunt, Scrapyard gigged solidly throughout the London area.
Hagley was to depart and the band were swiftly brought back up to strength with the addition of former ZZEBRA bassist John McCoy.
However, this union lasted only a matter of months with Tormé striking out on his own as THE BERNIE TORMÉ BAND.
McCoy meanwhile soldiered on with Paul Samson on guitar as Scrapyard became McCOY.
The Bernie Torme Band managed to release two singles and contributed tracks to the Punk compilation album "Live At The Vortex".
The Bernie Torme Band, still a trio, then put in some British supports to Gillan, the headline act now featuring McCoy on bass.
An album was recorded for Jet Records but remains unreleased.
Disillusioned, Tormé took up his old colleague John McCoy's offer to hook up with Gillan.
After leaving Gillan in 1981, Tormé joined ATOMIC ROOSTER, appearing on their "Headline News", album and undertaking two tours of Germany and Italy.
Whilst trying to assemble another solo band, Tormé was asked to fill in for Randy Rhoads in OZZY OSBOURNE's band following the American guitarist's tragic death.
Torme's stint on Ozzy's American tour lasted but two weeks, with the pressure being too much for the Irishman.
Returning to London with Osbourne's blessing, Tormé, set back to work on his own band ELECTRIC GYPSIES.
The "Turn Out The Lights" album, released under the "Bernie Torme" name, featured future SAXON drummer Nigel Glockler, bassist Phil Spalding and Bernie's ex-Gillan partner Colin Towns on keyboards.
For live work Electric Gypsies consisted of Tormé handling both vocals and guitar, Everton Williams on bass and drummer Frank Noon, the latter being on temporary loan from STAMPEDE.
In 1982 Tormé appeared on ex-Gillan keyboard player Colin Towns' solo LP 'Making Faces', which only saw a Japanese release.
The "Live", album, (released during 1984), featured original IRON MAIDEN member Ron "Rebel" Matthews on drums.
A later British tour saw the addition of bassist Chris Heilmann, later to turn up in US act SHARK ISLAND, and ex-FRAMED drummer Ian Whitewood with vocalist Kef.
In 1984 former GIRL vocalist Phil Lewis joined the band on a temporary basis following vocalist Kef's sudden departure before joining on a full time basis.
Two albums (using the TORMÉ handle rather than Electric Gypsies) and successive British touring kept the band in the press, but momentum seemed to be waning.
Lewis then relocated to Los Angeles to join American act L.A. GUNS.
Tormé formed the shortlived RUSSIAN HIPPIES in 1988 with Bennet, vocalist Gary Owens and ex-BOMBSHELLS bassist Marc Russell.
However, progress was minimal so Tormé and Russell travelled to America at the request of former TWISTED SISTER vocalist DEE SNIDER to join the vocalist's DESPERADOS outfit.
The DESPERADO project of Tormé, Snider, Russell and ex-IRON MAIDEN drummer Clive Burr initially scored a huge deal with Atlantic Records.
However, after more than two years the band had switched to Elektra and, having laid down an album, discovered the label had no intention of releasing it.
The DESPERADO album was finally released posthumously on an independent label at a much later date.
Although Snider offered Tormé a position in a new act he was putting together, WIDOWMAKER, the Irishman opted to return to London.
Upon his return Tormé put in a guest guitar appearance on guitarist RENE BERG's "The Leather, The Loneliness & Your Dark Eyes", album in 1991.
Another project band was titled MUTANT with Blacken and Magpie of MOURNBLADE.
The year 1994 saw another solo album release, "Demolition Ball".
Early 1997 found the guitarist involved in Mick Underwood's reformation of the cult act QUATERMASS.
Although Tormé wrote material for the album, "Long Road", he was to opt out before recording of the album.
The guitarist's own solo album of that year, "Wild Irish", recorded with Pearce and Jones, came out limited to merely 500 numbered copies.
Maintaining this renewed momentum a further studio album was issued in 1999, one track including lead vocal from Dee Snider.
Torme returned to the band format for the 'all star' SILVER project.
The band also witnessed a welcome return to action by former MICHAEL SCHENKER GROUP vocalist Gary Barden.
Joining Torme and Barden would be H-BLOCKX drummer Marco Minnemann and MAD MAX, CASANOVA and DEMON DRIVE bassist Michael Voss.
Keyboards were in the hands of as true veteran, Don Airey of RAINBOW, OZZY OSBOURNE and DEEP PURPLE fame.
in 2007 Torme formed GMT with his former Gillan colleague bassist John McCoy with drums handled by Robin Guy of RACHEL STAMP and the BRUCE DICKINSON band.

BERNIE TORMÉ BAND - I'm Not Ready 7" (1978) UK

http://www.megaupload.com/?d=2OOA1CCA

So that's yer lot for tonight.
Hope there's something amongst tonight's selection to get your 2012 off to a good start.
Keep the comments, requests, remembrances, praise and hate mail coming, it's the food and drink which keeps the blog going, just use that "comments" button and let yer fingers do the talkin'.
Much love to ma homiez,
BFK

Monday, December 05, 2011

THE BRIDESMAID'S LUNCH

Hi again folks.
Thank you all for your good wishes last time. My back's much improved, but still aches if i sit here too long, so without further ado, i'll let the music do the talking.
For starters, former KIDZ Vocalist Brad Sinsel formed the Hard Rock band TKO in Seattle, Washington in 1977 with guitarist Rick Pierce.
TKO released their debut LP, "Let It Roll", two years later on the Infinity Records label.
It sold well in their home state, but soon after the album's release Infinity Records went bust, leaving TKO without a deal.
By 1981, the band was headlining large shows in Seattle and touring as the opening act for the likes of AC/DC, VAN HALEN, HEART, THE KINKS, ANGEL and CHEAP TRICK.
TKO went through several personnel changes during the early 1980's, with Sinsel being the sole survivor from the "Let It Roll" line up by 1981.
In collaboration with the Hawaii based producer Rick Keefer, the band recorded the classic "In Your Face" album in 1981.
The band released a single, "Give Into The Night" through Sea West Records in 1982, which showed TKO now boasted a tougher, leaner sound than in their early days.
However, the "In Your Face" album went un-released until 1984, by which time the entire band that had recorded it, bar Sinsel, had moved on to other things.
By the time the album was released, guitarist Adam Brenner had gone solo re-billed as ADAM BOMB to cut his "Fatal Attraction" album, first released in Japan before Brenner inked a deal in America with Geffen.
Bassist Evan Sheely and Drummer Gary Thompson joined forces with another ex-TKO member, guitarist Rick Pierce in Q5.
Q5 achieved a modest degree of success, releasing two albums, "Steel The Light" and "When The Mirror Cracks".
Combat Records had signed TKO and released "In Your Face", licensing the album to Music For Nations for Europe, where it sold well and got great reviews.
In order for the band to continue Sinsel hired former CULPRIT guitarist Kjartan Kristofferson and bassist Scott Earl along with ex STRIKE and RANDY HANSEN BAND drummer Ken Mary.
After Sinsel contributed vocals to THRASHER's "Burning At The Speed Of Light" album, TKO started work on a new album.
That album, "Below The Belt", was issued in 1986, featuring, like it's predecessor, Brad's gorgeous wife Suzie Sinsel on the cover.
"Below The Belt", continued in the same tough Hard Rock vein as the previous album, but also showed a more melodic side on occassion.
Ken Mary then left the band to join first CHASTAIN, then FIFTH ANGEL, subsequently hooking up with HOUSE OF LORDS and ALICE COOPER.
TKO sadly broke up in 1987, with Sinsel then recording an album's worth of demos as "Native Tongues", with producer Rick Keefer.
Abandoning the more commercial direction of "Native Tongues", Sinsel then teamed up with Rick Pierce once again in the short-lived SUICIDE SQUAD, releasing the 4 song 1988 "Live It While You Can" EP.
Around this time, ex-TKO guitarist Adam Brenner aka Adam Bomb, formed a new act with ex-DOGS D'AMOUR bassist Steve James. Called LAST BANDITS, they recorded a one off album in 1991.
Meanwhile Brad Sinsel's new band WAR BABIES had signed a deal with Columbia Records, recording a lone self-titled album in 1992, featuring the tracks "Hang Me Up" and "Cry Yourself To Sleep", co-written by Sinsel and KISS frontman Paul Stanley.
Ironically for Seattle legend Sinsel, the War Babies album was released just as "Grunge" hit big, and as a result the album didn't get the attention (or sales) it deserved.
War Babies lost their deal in 1993, and split up soon afterwards.
In 1997, TKO reunited for a one-off performance as part of Seattle's "Pain In The Grass" concert series.
After this show, Brenner underwent another transformation becoming "Pink Gibson" for his new band GET ANIMAL
In 2001, an archive 2-CD TKO album entitled "In Your Face & Up Your Ass" was issued by Metal Mayhem Music.
The first disc featured earlier rawer versions of the tracks from the "In Your Face" album alongside previously unheard songs.
Disc 2 was comprised of 15 vintage live recordings, including LED ZEPPELIN, ROLLING STONES & STEPPENWOLF covers, alongside the TKO originals.
To launch the CD's release, a one-off Northwest Passage reunion show was a celebration of the legendary Seattle band's best works.
Sinsel now fronts AMERICAN STANDARD alongside former FLIPP guitarist Brynn Arens.
Sorry about having to split this archive into 4 parts, when i originally tried to upload it as just 2 halves my connection kept on dropping around the 80 per cent mark, so i made the archives smaller to make sure they got uploaded.
Well worth your time though, TKO rawk!

TKO - In Your Face & Up Your Ass (2-CD) (1981-1984) USA


Part 1 :
http://www.megaupload.com/?d=220NOYAX
Part 2 : http://www.megaupload.com/?d=WB1D7IKP
Part 3 : http://www.megaupload.com/?d=QD5BRX2P
Part 4 : http://www.megaupload.com/?d=PQECK6QL

SPEED QUEEN were a Hard Rocking French quintet originally formed in Mulhouse, Alsace in 1974 under the name BLACK RAT.
Heavily influenced by the Heavy Rocking style of AC/DC, once they were joined by leather lunged vocalist "Stewy" (aka Martine Himburg), in 1977, they soon changed their name to Speed Queen.
Their first vinyl appearance came on the Crypto Records compilation album, "Rock D'Ici Vol. 2" in 1978.
They contributed two tracks, "Be Bad Man" and "One Of These Days".
In 1979 they played some dates on MOTORHEAD's French tour and Lemmy was so impressed by the band that he invited them to do a couple dates in England also.
They recorded their first album in September 1979 at the Chateau d'Herouville, where the ROLLING STONES had produced "Exile On Main Street".
The album was released in January 1980, and was a moderate success on mainland Europe.
On the sleeve the track "Not To Sell" was dedicated to Lemmy, who was instrumental in Speed Queen being offered a deal with Bronze Records in the UK.
Unfortunately, the band were unable to take advantage of Bronze's offer because they were involved in legal wranglings with Crypto Records at the time.
In 1982, a further album, confusingly also called "Speed Queen", was released by the band on new label CBS Records.
Most of the songs on this record had French lyrics and titles, and overall Speed Queen sounded a bit slicker than on the debut LP.
Lemmy even found the time to appear on the album, contributing vocals to a song called "Revanche".
The record didn't sell as well as the band had hoped, and Speed Queen split up in early 1983.
Post-Speed Queen Stewy reappearred with a 1984 solo album "Gypsy", recorded under the name of STEVIE.
Her label hoped for an international hit, and to this end they hired some American musicians & songwriters.
Bruce Kulick (KISS, BLACKJACK) plays guitar on most of the album and Michael Bolton did some back up vocals too.
Half of the songs were sung in English and the rest in French.
Although very commercial, the album failed to sell, and after one further album, 1986's "Seemann", Stewy/Stevie was dropped by the label.
Later she re-emerged as a member of TOUCH! alongside her husband, former TRUST guitarist Norbert "Nono" Krief.
They released a lone 1994 album, "Marche Avec Moi", on the French wing of the EMI Records label.
She then sang with UN MONDE A L'ENVERS who released a self-titled album in 2005, before guesting on BIG BEN's 2008 "Sur Invitation", album.
Former Speed Queen drummer Bernard "Speedy" Reischtat now plays with GENS DE LA LUNE.

SPEED QUEEN - Speed Queen (II) (1982) France

http://www.megaupload.com/?d=9JVGR9TR

Irishman Bernie Tormé is a hugely talented guitarist renowned for some particularly wild axework and theatrics.
Such showmanship brought him close to 'guitar hero' status whilst in GILLAN in the late '70's & early '80's.
Tormé relocated to London from Ireland, forming SCRAPYARD in 1976.
A Hard Rock trio of Tormé, bassist Bernie Hagley, and drummer Roger Hunt, Scrapyard gigged solidly throughout the London area.
Hagley was to depart and the band were swiftly brought back up to strength with the addition of former ZZEBRA bassist John McCoy.
However, this union lasted only a matter of months with Tormé striking out on his own as THE BERNIE TORMÉ BAND.
McCoy meanwhile soldiered on with Paul Samson on guitar as Scrapyard became McCOY.
The Bernie Torme Band managed to release two singles and contributed tracks to the Punk compilation album "Live At The Vortex".
The Bernie Torme Band, still a trio, then put in some British supports to Gillan, the headline act now featuring McCoy on bass.
An album was recorded for Jet Records but remains unreleased.
Disillusioned, Tormé took up his old colleague John McCoy's offer to hook up with Gillan.
After leaving Gillan in 1981, Tormé joined ATOMIC ROOSTER, appearing on their "Headline News", album and undertaking two tours of Germany and Italy.
Whilst trying to assemble another solo band, Tormé was asked to fill in for Randy Rhoads in OZZY OSBOURNE's band following the American guitarist's tragic death.
Torme's stint on Ozzy's American tour lasted but two weeks, with the pressure being too much for the Irishman.
Returning to London with Osbourne's blessing, Tormé, set back to work on his own band ELECTRIC GYPSIES.
The "Turn Out The Lights" album, released under the "Bernie Torme" name, featured future SAXON drummer Nigel Glockler, bassist Phil Spalding and Bernie's ex-Gillan partner Colin Towns on keyboards.
For live work Electric Gypsies consisted of Tormé handling both vocals and guitar, Everton Williams on bass and drummer Frank Noon, the latter being on temporary loan from STAMPEDE.
In 1982 Tormé appeared on ex-Gillan keyboard player Colin Towns' solo LP 'Making Faces', which only saw a Japanese release.
The "Live", album, (released during 1984), featured original IRON MAIDEN member Ron "Rebel" Matthews on drums.
A later British tour saw the addition of bassist Chris Heilmann, later to turn up in US act SHARK ISLAND, and ex-FRAMED drummer Ian Whitewood with vocalist Kef.
In 1984 former GIRL vocalist Phil Lewis joined the band on a temporary basis following vocalist Kef's sudden departure before joining on a full time basis.
Two albums (using the TORMÉ handle rather than Electric Gypsies) and successive British touring kept the band in the press, but momentum seemed to be waning.
Lewis then relocated to Los Angeles to join American act L.A. GUNS.
Tormé formed the shortlived RUSSIAN HIPPIES in 1988 with Bennet, vocalist Gary Owens and ex-BOMBSHELLS bassist Marc Russell.
However, progress was minimal so Tormé and Russell travelled to America at the request of former TWISTED SISTER vocalist DEE SNIDER to join the vocalist's DESPERADOS outfit.
The DESPERADO project of Tormé, Snider, Russell and ex-IRON MAIDEN drummer Clive Burr initially scored a huge deal with Atlantic Records.
However, after more than two years the band had switched to Elektra and, having laid down an album, discovered the label had no intention of releasing it.
The DESPERADO album was finally released posthumously on an independent label at a much later date.
Although Snider offered Tormé a position in a new act he was putting together, WIDOWMAKER, the Irishman opted to return to London.
Upon his return Tormé put in a guest guitar appearance on guitarist RENE BERG's "The Leather, The Loneliness & Your Dark Eyes", album in 1991.
Another project band was titled MUTANT with Blacken and Magpie of MOURNBLADE.
The year 1994 saw another solo album release, "Demolition Ball".
Early 1997 found the guitarist involved in Mick Underwood's reformation of the cult act QUATERMASS.
Although Tormé wrote material for the album, "Long Road", he was to opt out before recording of the album.
The guitarist's own solo album of that year, "Wild Irish", recorded with Pearce and Jones, came out limited to merely 500 numbered copies.
Maintaining this renewed momentum a further studio album was issued in 1999, one track including lead vocal from Dee Snider.
Torme returned to the band format for the 'all star' SILVER project.
The band also witnessed a welcome return to action by former MICHAEL SCHENKER GROUP vocalist Gary Barden.
Joining Torme and Barden would be H-BLOCKX drummer Marco Minnemann and MAD MAX, CASANOVA and DEMON DRIVE bassist Michael Voss.
Keyboards were in the hands of as true veteran, Don Airey of RAINBOW, OZZY OSBOURNE and DEEP PURPLE fame.
in 2007 Torme formed GMT with his former Gillan colleague bassist John McCoy with drums handled by Robin Guy of RACHEL STAMP and the BRUCE DICKINSON band.
This vintage BBC live set was recorded at the Paris Theatre, London on 11/06/82 and comes to you courtesy of the awesome Weaselkin1.

BERNIE TORMÉ'S ELECTRIC GYPSIES - BBC In Concert (1982) UK

http://www.megaupload.com/?d=U5XVLV3H

This next one comes to us courtesy of another friend of the blog turned contributer, namely Chatzial. Your generosity is appreciated mate.
DESTINY were a short lived American quartet who hailed from from the state of Ohio, forming in the early 1980's.
Their only release was the five song "Back On The Streets" Mini LP, issued by Bent Back Records in 1985.
Information on the band has proved extremely difficult to turn up, with one of the few mentions of the band on the net being this review by Vaggelis Fotakis from http://www.metalpage.de/
"This band from Ohio released one of the most interesting private Metal/Hard Rock records in this state.
"Back On The Streets", "Think It Over Lover" and "Fantasy" are songs you won't easily forget, with nice solos and choruses.
I would say this DESTINY (no relation to any other band with the same name) is one of the most underestimated US bands.
Its name is spoken very rarely in collectors' circles and I really can't get why... maybe due to its obscurity... as it was one of the top rarities some years ago.
Don't ignore it if you come across a copy, especially if you like acts like MC BLADE, RUFFKUT, RAZORMAID, INSANE & DARK STARR."
To me "Back On The Streets", is firmly in the Hard Rock/AOR field, and i don't really hear the comparisons that the reviewer makes with those other bands.
It sounds more to me more like "High'n'Dry" era DEF LEPPARD, with the hooks well and truly to the fore.
If you enjoy that style at all, then you should find much to admire here, with the excellent guitar work of Jeff Ward and the strong vocals of Bran Silveous setting Destiny apart from the many acts who laboured in obscurity in this field of music.
I believe this one changes hands for silly money on occassion, often hyped as a "private press Metal monster", which it isn't, but it's well worth a listen regardless.
Bassist John Castetter is still active in music, having been a member of TRILOGY, MEDICINE HAT, THE MENUS and RATTLESNAKIN' DADDIES to name but a few, whilst Vocalist/Guitarist Bran Silveous is now a Christian minister.
Many thanks to Chatzial for ripping and sharing this rare record with us, it's very appreciated.


DESTINY - Back On The Streets Mini LP (1985) USA

http://www.megaupload.com/?d=U7IZ3BLM

And now, another one from Weaselkin1.
He's spoiling you.
SCORCHED EARTH were a five piece NWOBHM band formed in Birmingham in 1978.
Maintaining a solid line up from the outset, they built up a loyal following on the Midlands live circuit over the next few years.
The replacement of drummer Tim Kristic in 1983 with former DIRTY TRICKS and GRAND PRIX drummer Andy Bierne brought the band to the attention of Carrere Records.
Carrere were at the time experiencing success in the Rock/Metal market with SAXON, RAGE and ROSE TATTOO, and keen to add to their roster, signed Scorched Earth.
Their lone release for the label was the four song "Tomorrow Never Comes" EP, which was probably too cultured and subtle to attract an audience at the time of it's release.
Despite good reviews, poor sales lead to the band being dropped by their label.
A four song demo (confusingly, also titled "Tomorrow Never Comes"), surfaced later in the year, but with no breakthrough in sight, Bierne accepted an offer to join the much fancied LIONHEART.
After Bierne's departure the remainder of the band struggled to regain momentum and soon called it quits.
Guitarist Paul Bodley later became a music teacher in Stourbridge, whilst Bierne stayed active as a respected session drummer.
This is their BBC Radio 1 "Friday Rock Show" session from back on the 14th of June 1983 and it's a good 'un.


SCORCHED EARTH - BBC Friday Rock Show Session (1983) UK

http://www.megaupload.com/?d=H3380Z4P

DUMPY'S RUSTY NUTS were an infamous London based band formed in 1981 by ardent biker "Dumpy" Dunnell, a character who had previously been a member of THE RIVVITS.
Renowned over the years for their many appearances at biker festivals, the group was originally titled DUMPY'S DIRT BAND and the transition to DUMPY'S RUSTY NUTS came in 1981 when the frontman was joined by Mac McKenzie on bass and drummer Chris Hussey, both previously members of NUTHIN' FANCY.
Unbelievably the band had to change its name to DUMPY'S RUSTY BOLTS to secure airplay for the debut 1982 'Just For Kicks' single when DJ's deemed the original band name too lewd.
Sometime afterwards, Mac McKenzie left to rejoin NUTHIN' FANCY (much later ending up as manager of THUNDER) and was replaced by Jeff Brown, although he lasted for only a short period of time before making way in 1983 for Kerry Langford.
The band suffered a severe setback in 1984 when their record label folded.
The advertised 'Rock The Nation' EP never surfaced commercially although mysteriously copies came to light much later.
By 1984 the band included former TANK drummer Mark Brabbs, and this was the line up responsible for the "Somewhere In England" album, a 16-track 2-LP vinyl set recorded live at the London Marquee Club, where they were a regular and popular attraction.
Brabbs quit and left the fold with Langford in early 1986 and the pair were promptly replaced by bassist Alan Fish and drummer Mick Kirton, both ex-GROUNDHOGS.
Fish was also a veteran of NWoBHM band ZORRO, a founder member of TREDEGAR and involved with AUTOLAND COMMAND.
The band's line-up remained ever fluid, even at one point seeing bassist Alan Davey and drummer Danny Thompson on temporary leave from HAWKWIND with Fish having departed to form EGYPT.
Ex CLOVEN HOOF guitarist Mick Grafton also enlisted for a short stint, whilst yet another bassist, Graham Le Mon, joined in 1987 , the same year that the 'Get Out On The Road' album was issued.
The record featured HAWKWIND mainman DAVE BROCK as a guest.
Kirton was later to leave to join HAWKWIND.
In 1991 the band released a cover version of JO JO GUNNE's 'Run, Run' Run' as a single, but while DUMPYS RUSTY NUTS are still a going concern, no further product has surfaced.
Dumpy is also now a sometime member of the venerable psychedelic institution we know as HAWKWIND.

DUMPY - Rock The Nation EP (1984) UK

http://www.megaupload.com/?d=QKDYYY4U

Okay, finally this evening, what we have here is one of those uber-rare one-off items, which attracts interest from both NWoBHM and Punk fans alike.
Next to nothing is known about the band behind it, UNDERDOG, aside from the fact that they appear to have nothing to do with the myriad of other bands who used that selfsame name.
What we can say for sure, because of it's scarcity, is that it seems to have had a very low number of copies pressed.
As a result of it's rarity, it's now a very highly prized collectors piece, and as such, it commands ridiculous money when it does occasionally crop up for sale.
Side A, "Blue Water, White Death", is a 6:00 minute tour-de-force, and is very much in the NWoBHM mould.
The great guitarwork is the highlight of the song for me, and overall this is pretty Heavy stuff for 1979.
The flipside, "Life At 21", is less obviously influenced by Rock/Metal, with a catchy Punk/New Wave styled chorus being the obvious hook here.
However, repeated plays reveal some accomplished musicianship behind the bluster, making me wonder if this song was an attempt at a bit of bandwagon jumping by some experienced old hands.
Whatever the truth behind the band, you are unlikely to ever hold a copy of this record in your hands, so give it a d/l and hear it for yourself.
It's a record that deserves to be better known, and unlike oh so many over-hyped big money rarities, this one actually has some worthwhile music in it's grooves.

UNDERDOG - Blue Water, White Death/Life At 21 7" (1979) UK

http://www.megaupload.com/?d=8PK7OE1X

So that's that for another couple o' weeks.
Hope you enjoy tonight's selection.
Remember to share your thoughts, remembrances, praise and ire in the comments section.
Also please remember to doff yer caps in the direction of Chatzial & Weaselkin1 for their great work and extreme kindness in sharing their collections with us here.
I'm off to lie down for 2-3 weeks, 'til next time, be awesome.

Sunday, November 13, 2011

SMUGGLING A TUSK

Sorry for the delay between posts, but i've been unable to sit @ the computer for long recently, thanks to the searing torment of:
Sciatica.
Let's get on with it shall we?
SPEED QUEEN were a Hard Rocking French quintet originally formed in Mulhouse, Alsace in 1974 under the name BLACK RAT.
Heavily influenced by the Heavy Rocking style of AC/DC, once they were joined by leather lunged vocalist "Stewy" (aka Martine Himburg), in 1977, they soon changed their name to Speed Queen.
Their first vinyl appearance came on the Crypto Records compilation album, "Rock D'Ici Vol. 2" in 1978.
They contributed two tracks, "Be Bad Man" and "One Of These Days".
In 1979 they played some dates on MOTORHEAD's French tour and Lemmy was so impressed by the band that he invited them to do a couple dates in England also.
They recorded their first album in September 1979 at the Chateau d'Herouville, where the ROLLING STONES had produced "Exile On Main Street".
The album was released in January 1980, and was a moderate success on mainland Europe.
On the sleeve the track "Not To Sell" was dedicated to Lemmy, who was instrumental in Speed Queen being offered a deal with Bronze Records in the UK.
Unfortunately, the band were unable to take advantage of Bronze's offer because they were involved in legal wranglings with Crypto Records at the time.
In 1982, a further album, confusingly also called "Speed Queen", was released by the band on new label CBS Records.
Most of the songs on this record had French lyrics and titles, and overall Speed Queen sounded a bit slicker than on the debut LP.
Lemmy even found the time to appear on the album, contributing vocals to a song called "Revanche".
The record didn't sell as well as the band had hoped, and Speed Queen split up in early 1983.
Post-Speed Queen Stewy reappearred with a 1984 solo album "Gypsy", recorded under the name of STEVIE.
Her label hoped for an international hit, and to this end they hired some American musicians & songwriters.
Bruce Kulick (KISS, BLACKJACK) plays guitar on most of the album and Michael Bolton did some back up vocals too.
Half of the songs were sung in English and the rest in French.
Although very commercial, the album failed to sell, and after one further album, 1986's "Seemann", Stewy/Stevie was dropped by the label.
Later she re-emerged as a member of TOUCH! alongside her husband, former TRUST guitarist Norbert "Nono" Krief.
They released a lone 1994 album, "Marche Avec Moi", on the French wing of the EMI Records label.
She then sang with UN MONDE A L'ENVERS who released a self-titled album in 2005, before guesting on BIG BEN's 2008 "Sur Invitation", album.
Former Speed Queen drummer Bernard "Speedy" Reischtat now plays with GENS DE LA LUNE.

SPEED QUEEN - Speed Queen (1980) France

http://www.megaupload.com/?d=YV7E3T86

WINTERKAT were a Hard Rock/Pomp Rock band formed in San Antonio, Texas in 1982.
The group rose from the ashes of LIQUID SKY, a band that had appeared on the "KISS Homegrown" radio station compilation LP in 1981.
Guitarist Jonathan Grell had appeared in that group and formed WINTERKAT with vocalist Ric Swanson, drummer Gerado Ramirez and bassist Dean Vallecillo, the latter pair both being ex-HEYOKA members.
The following year saw the band release a self-titled five song Mini LP on their own Winterkat Records label.
Although Gerado Ramirez played keyboards on the album, MYTH man Ruben Castaneda was used for live shows.
Ric Swanson left to form AOR band NIGHTWORK in 1985, releasing a self-titled album in 1986.
He was replaced at the Winterkat microphone by Michael Steele Grothues, another former Heyoka member.
A further Mini LP, "The Struggle", was issued on Monument Records in 1986, featuring a cover of JIMI HENDRIX's "Little Wing", alongside six originals.
The band struggled on until the early '90's, but by this time many of the band's key players had moved on to other projects.
Bassist Dean Vallecillo went on to join Minneapolis band DARE FORCE, performing on their 1989 "Firepower" album.
Jonathan Grell founded DIRTY WATER with singer Rhett Forrester, formerly of RIOT.
This band demoed material but the project came to a screeching halt in 1994 when Rhett was tragically murdered.
After Winterkat, Grell founded SUITE 16, an alliance with ex-S.A. SLAYER and RIOT members Bobby Jarzombek and Don Van Stavern.
John Grell later went on to join the Southern Rock group MUDPIE, which included former members of MSG, SALTY DOG and STEELHOUSE LANE, releasing a self-titled CD in 2002.

WINTERKAT - The Struggle (1985) USA

http://www.megaupload.com/?d=K1MTVALP

And now, three excellent contributions from the redoubtable Weaselkin1.
You sir, are a star.
EXPORT were a classy AOR/Hard Rock act formed in Liverpool in 1979 by ex HARD STUFF vocalist Harry Shaw.
The following year saw the band release their debut self titled self financed album on His Master's Vice Records.
The band spent the rest of the year touring the UK, with glowing reviews of the album helping to swell the club audiences they played to.
1981 saw the release of the "You Gotta Rock" 7" single, and more live work supporting the likes of WILD HORSES.
The band's show at London's Paris Theatre in June 1981 was recorded by the BBC and broadcast on Radio 1's "In Concert" programme.
All this activity brought Export to the attention of the American arm of Epic Records who signed the band.
The first fruit of this liason was to be 1984's more overtly AOR styled "Contraband" album.
1986 saw the band release their third and final album, the critically acclaimed, Lance Quinn produced "Living In Fear Of The Private Eye".
Despite the album's quality, Epic decided to drop the band at the years end, as sales didn't match the label's expectations.
Sadly, this in turn then hastened the band's 1987 demise.
Guitarist Steve Morris then went on to produce the debut TORINO album, and later joined ex DEEP PURPLE vocalist IAN GILLAN's band.
Drummer Lou Rosentahl later formed 2 AM with ex RAGE & NUTZ vocalist Dave Lloyd.

EXPORT - BBC In Concert (1981) UK

http://www.megaupload.com/?d=IHQMD40J

MOLLY HATCHET is a Southern Rock band formed in Jacksonville, Florida, in 1975.
The band, founded by guitarists Dave Hlubek and Steve Holland, took its name from a prostitute who mutilated and decapitated her clients.
The band signed with Epic Records in 1977, with LYNYRD SKYNYRD front man Ronnie Van Zant slated to produce their first album, having helped in writing arrangements and directing rehearsals.
Sadly, this never transpired as Van Zant died in a tragic airplane crash.
Molly Hatchet had actually cut their first demos in Lynyrd Skynyrd's 8-track recording studio using their equipment.
Prior to the band's signing with Epic Records, they often toured the Florida roadhouse and bar circuit.
Hlubek has stated that the demise of Lynyrd Skynyrd – who were at the height of their success – opened the door for Molly Hatchet.
Combining Boogie, Blues and Hard Rock, Molly Hatchet's sound was differentiated from more Country-influenced Southern acts such as THE OUTLAWS.
The band recorded and released its first album, "Molly Hatchet" in 1978, followed by "Flirtin' with Disaster" in 1979.
Danny Joe Brown, whose gruff voice and tough persona had defined the act to that point, then left the band in 1980, only to return two years later.
When Brown left the group to form The DANNY JOE BROWN BAND with future Molly Hatchet guitarist Bobby Ingram, he was replaced by vocalist Jimmy Farrar, coming from the cover band Raw Energy out of Fort Walton Beach, Florida.
Along with Farrar came a new approach to the band's sound.
The earlier albums feature more variation in guitar tone and style and exhibit a distinct Southern cultural influence – which changed with the addition of Farrar on vocals.
Farrar's new vocal style, mixed with the new harder-rocking sound saw Molly Hatchet enjoy a rise in popularity in the early 1980s.
With the success of the Harder-Rocking "Beatin' The Odds" release, the band ventured farther away from their original sound.
By 1981, Molly Hatchet had almost completely abandoned their original style of 1978 for a straight-ahead Rock style exhibited on the "Take No Prisoners" release of the same year.
This album received a less-than-warm reception from many of the fans of the original sound and, while the band was still successful on the touring circuit, bass-player Banner Thomas left in late 1981 and was replaced by Riff West, while Farrar left the act in May 1982.
Brown rejoined the band in 1982 and B.B. Borden (ex of MOTHERS FINEST) replaced Crump on drums.
In 1983, a new album was released entitled "No Guts... No Glory".
Steve Holland left in 1984 and the band recruited keyboard player John Galvin.
This period saw the band return to the more overt Southern style it had displayed on its debut record in 1978.
However, with the addition of keyboards into the mix, the band managed to take this sound to an even more orchestrated approach on some songs such as "Fall of the Peacemakers".
Critics hailed "No Guts...No Glory" as a true return to form, but Southern Rock no longer enjoyed the widespread appeal it had previously.
As a result, the record went largely unnoticed, in contrast to the glory years, but did rejuvenate interest from the band's fan base, who had started to drift after the uncharacteristic "Take No Prisoners" album.
In 1984 came the release of a new album "The Deed Is Done" for which Bruce Crump returned to ultimately replace B. B. Bordan on drums.
Then in 1985, the double live album "Double Trouble Live" was released.
The greatest hits collection "Greatest Hits" was also released in 1985 and was the last Molly Hatchet album to achieve gold status.
Hlubek left in early 1987 to recover from his drug addiction.
In 1989, the album "Lightning Strikes Twice" was released, featuring Hlubek's replacement Bobby Ingram.
1990 saw the announcement of Molly Hatchet's final show in Ohio.
By the mid-1990s, a new version of Molly Hatchet began working on a new studio album.
In 1996, after a stroke and a worsening of his chronic diabetes, Brown had to leave the band, who brought in lead singer Phil McCormack to finish the album "Devil's Canyon" in 1996.
During the rest of the 1990's, the band's line-up contained not a single member who had performed in Molly Hatchet prior to 1984.
1998 brought a further album, "Silent Reign of Heroes".
In 2000, the album "Kingdom of XII" was recorded and released in Europe, surfacing in the United States in 2001.
"Locked And Loaded, 25th Anniversary: Best Of Re-Recorded" (2003) and "Warriors Of The Rainbow Bridge" (2005) followed.
In January 2005, Hlubek was invited to rejoin Molly Hatchet. He remains in the band to this day.
Danny Joe Brown sadly died on March 10, 2005. He was 53.
On June 19, 2006, founding guitarist Duane Roland also died at the age of 53.
Former Molly Hatchet members Steve Holland, Bruce Crump, Jimmy Farrar and Riff West still perform together in a group called GATOR COUNTRY.
Original guitarist Duane Roland also played in this group until his death, whereupon he was replaced by ex-LONE STAR, UFO & WAYSTED six-stringer Paul "Tonka" Chapman.
To date, Gator County have released a live album, the imaginatively named "Live", and a single, "Oh Atlanta".

MOLLY HATCHET - BBC In Concert - Reading Festival (1979) USA

http://www.megaupload.com/?d=B00WA85X

The Birmingham based Hard Rock/NWOBHM band STARFIGHTERS signed to Jive Records in 1980.
The band's debut line-up consisted of vocalist Steve Burton, guitarist Stevie Young, a nephew of AC/DC's Angus and Malcolm, guitarist Pat Hambley, bassist Doug Dennis and ex-FLYING HAT BAND drummer Barry 'Spence' Scrannage.
The latter was soon replaced by former HOLLY AND THE ITALIANS drummer Steve Bailey, Scrannage going on to create THE ALLIANCE.
Prior to the formation of the STARFIGHTERS, Steve Burton was previously vocalist with THE SUBURBAN STUDS, and very briefly a member of GLENN TIPTON's FLYING HAT BAND and Hard Rock outfit CRYER.
After debuting with the independently released 'I'm Falling' 7" single, on the Motorcity Rhythm label, the band was thrown straight in at the deep end supporting AC/DC in 1980.
Subsequent rumours suggested that Burton had been offered the job of replacing the late Bon Scott in AC/DC, but had turned the opportunity down on the grounds of health, fearing his own vices would lead towards a similar fate.
Following the release of the well received debut Tony Platt produced album for Jive in 1981, the STARFIGHTERS opened for MICHAEL SCHENKER GROUP on a British tour, TRUST on a French tour and then landed the honour of opening for OZZY OSBOURNE in North America.
The band hooked up with KROKUS manager Butch Stone and released 'In Flight Movie' in 1983, again produced by Tony Platt, as a creditable follow up to the debut, but inexplicably they were then dropped by Jive.
There followed a lengthy hiatus before the STARFIGHTERS reformed in the late '80's and the group were quick to build up their local following in the Birmingham area, but despite some notorious live performances the STARFIGHTERS failed to gain label attention.
The AC/DC connection would crop up once more in the STARFIGHTERS story as Stevie Young was asked to deputise for Malcolm Young for dates on the 'Blow Up Your Video' World tour in 1988.
Stevie's first payment for this job was a new front tooth he had previously lost to a baseball bat in a brawl with a night club doorman.
After the final STARFIGHTERS split, Young went on to form WORLD WAR III with Steve Redvers, guitarist Nick Slater and erstwhile BAJJON vocalist Ivan Norris.
The outfit soon adopted the name LITTLE BIG HORN and signed to AC/DC's management.
Live work was undertaken and demos recorded, but this band failed to issue commercial product.

STARFIGHTERS - BBC Friday Rock Show Session (1981) UK

http://www.megaupload.com/?d=XK8UXT31

How d'ya fancy two previously unreleased and uncirculated KISS studio tracks from 1975 bootlegged for your listening pleasure, right here, right now.
You wanted the best and you got it!
"Smoke" is a cracking little Rocker which thuds along beautifully before arriving at the ultra-catchy, "It's not the smoke that burns ya, it's the fiiiiire", chorus.
Nice upfront phased guitar work from the Space Ace on this one too.
He's from the planet Jendell don'tcha know.
Oh, and Paul & Gene both sing on the chorus, which makes me feel like i'm 10 years old again.
I've no idea why this song never saw release, as it shits all over some of the stuff that they issued at the time.
Anyone remember "Hooligan", for instance?
The flipside is "A Mistake", which sees the band in an altogether mellower frame of mind.
I'm guessing that the guys were listening to THE ROLLING STONES "Exile On Main Street", a lot around this time, as this comes off as an attempt at that records loose slightly countrified vibe.
It's not quite as obvious as "Hard Luck Woman", for instance, but shares a similar sound.
Again, much stronger than much of the material which sometimes slipped on to Kiss studio albums at the time.
"Two Timer", anyone?
I wish i knew more about these songs, but i'm afraid that's as i can tell you.
I've seen these tracks pop up on a few sites recently, but the sound quality on this rip here is the best i've come across.
Thanks to the original ripper/poster and to the Slseeker who shared it with me.

KISS - Smoke/A Mistake 7" (1975) USA

http://www.megaupload.com/?d=K3XRFL2J

Irishman Bernie Tormé is a hugely talented guitarist renowned for some particularly wild axework and theatrics.
Such showmanship brought him close to 'guitar hero' status whilst in GILLAN in the late '70's & early '80's.
After a stint with Dublin Hard Rockers URGE, Tormé relocated to London from Ireland, forming SCRAPYARD in 1976.
A Hard Rock trio of Tormé, bassist Bernie Hagley, and drummer Roger Hunt, Scrapyard gigged solidly throughout the London area.
Hagley was to depart and the band were swiftly brought back up to strength with the addition of former ZZEBRA bassist John McCoy.
However, this union lasted only a matter of months with Tormé striking out on his own as THE BERNIE TORMÉ BAND.
McCoy meanwhile soldiered on with Paul Samson on guitar as Scrapyard became McCOY.
The Bernie Torme Band managed to release two singles and contributed tracks to the Punk compilation album "Live At The Vortex".
The Bernie Torme Band, still a trio, then put in some British supports to Gillan, the headline act now featuring McCoy on bass.
An album was recorded for Jet Records but remains unreleased.
Disillusioned, Tormé took up his old colleague John McCoy's offer to hook up with Gillan.
After leaving Gillan in 1981, Tormé joined ATOMIC ROOSTER, appearing on their "Headline News", album and undertaking two tours of Germany and Italy.
Whilst trying to assemble another solo band, Tormé was asked to fill in for Randy Rhoads in OZZY OSBOURNE's band following the American guitarist's tragic death.
Torme's stint on Ozzy's American tour lasted but two weeks, with the pressure being too much for the Irishman.
Returning to London with Osbourne's blessing, Tormé, set back to work on his own band ELECTRIC GYPSIES.
The "Turn Out The Lights" album, released under the "Bernie Torme" name, featured future SAXON drummer Nigel Glockler, bassist Phil Spalding and Bernie's ex-Gillan partner Colin Towns on keyboards.
For live work Electric Gypsies consisted of Tormé handling both vocals and guitar, Everton Williams on bass and drummer Frank Noon, the latter being on temporary loan from STAMPEDE.
In 1982 Tormé appeared on ex-Gillan keyboard player Colin Towns' solo LP 'Making Faces', which only saw a Japanese release.
The "Live", album, (released during 1984), featured original IRON MAIDEN member Ron "Rebel" Matthews on drums.
A later British tour saw the addition of bassist Chris Heilmann, later to turn up in US act SHARK ISLAND, and ex-FRAMED drummer Ian Whitewood with vocalist Kef.
In 1984 former GIRL vocalist Phil Lewis joined the band on a temporary basis following vocalist Kef's sudden departure before joining on a full time basis.
Two albums (using the TORMÉ handle rather than Electric Gypsies) and successive British touring kept the band in the press, but momentum seemed to be waning.
Lewis then relocated to Los Angeles to join American act L.A. GUNS.
Tormé formed the shortlived RUSSIAN HIPPIES in 1988 with Bennet, vocalist Gary Owens and ex-BOMBSHELLS bassist Marc Russell.
However, progress was minimal so Tormé and Russell travelled to America at the request of former TWISTED SISTER vocalist DEE SNIDER to join the vocalist's DESPERADOS outfit.
The DESPERADO project of Tormé, Snider, Russell and ex-IRON MAIDEN drummer Clive Burr initially scored a huge deal with Atlantic Records.
However, after more than two years the band had switched to Elektra and, having laid down an album, discovered the label had no intention of releasing it.
The DESPERADO album was finally released posthumously on an independent label at a much later date.
Although Snider offered Tormé a position in a new act he was putting together, WIDOWMAKER, the Irishman opted to return to London.
Upon his return Tormé put in a guest guitar appearance on guitarist RENE BERG's "The Leather, The Loneliness & Your Dark Eyes", album in 1991.
Another project band was titled MUTANT with Blacken and Magpie of MOURNBLADE.
The year 1994 saw another solo album release, "Demolition Ball".
Early 1997 found the guitarist involved in Mick Underwood's reformation of the cult act QUATERMASS.
Although Tormé wrote material for the album, "Long Road", he was to opt out before recording of the album.
The guitarist's own solo album of that year, "Wild Irish", recorded with Pearce and Jones, came out limited to merely 500 numbered copies.
Maintaining this renewed momentum a further studio album was issued in 1999, one track including lead vocal from Dee Snider.
Torme returned to the band format for the 'all star' SILVER project.
The band also witnessed a welcome return to action by former MICHAEL SCHENKER GROUP vocalist Gary Barden.
Joining Torme and Barden would be H-BLOCKX drummer Marco Minnemann and MAD MAX, CASANOVA and DEMON DRIVE bassist Michael Voss.
Keyboards were in the hands of as true veteran, Don Airey of RAINBOW, OZZY OSBOURNE and DEEP PURPLE fame.
in 2007 Torme formed GMT with his former Gillan colleague bassist John McCoy with drums handled by Robin Guy of RACHEL STAMP and the BRUCE DICKINSON band.

BERNIE TORMÉ - My Baby Loves A Vampire 7" (1984) UK

http://www.megaupload.com/?d=OMKNLV4U

Without further ado, because my back is still killing me, i shall now quickly fugg awf.
Hope you enjoy tonight's selection.
Thanks to all of you who took the time to send your good wishes and advice concerning my malady, i was genuinely touched folks.
You're very nice people.

Thursday, October 20, 2011

THE WEREWOLF WHISTLE

Howdy people.
We're back again with some more excellently edifying excavations from the deepest recesses of the vintage Rawk mine.
Grab your picks and rock hammers & dig in!
For starters, EXPORT were a classy Hard Rock/NWOBHM act formed in Liverpool in 1979 by ex HARD STUFF vocalist Harry Shaw.
The following year saw the band release their debut self titled self financed album on His Master's Vice Records.
The band spent the rest of the year touring the UK, with glowing reviews of the album helping to swell the club audiences they played to.
1981 saw the release of the "You Gotta Rock" 7" single, and more live work supporting the likes of WILD HORSES.
The band's show at London's Paris Theatre in June 1981 was recorded by the BBC and broadcast on Radio 1's "In Concert" programme.
All this activity brought Export to the attention of the American arm of Epic Records who signed the band.
The first fruit of this liaison was to be 1984's more overtly AOR styled "Contraband" album.
1986 saw the band release their third and final album, the critically acclaimed, Lance Quinn produced "Living In Fear Of The Private Eye".
Despite the album's quality, Epic decided to drop the band at the years end, as sales didn't match the label's expectations.
Sadly, this in turn then hastened the band's 1987 demise.
Guitarist Steve Morris then went on to produce the debut TORINO album, and later joined ex DEEP PURPLE vocalist IAN GILLAN's band.
Drummer Lou Rosentahl later formed 2 AM with ex RAGE & NUTZ vocalist Dave Lloyd.


EXPORT - Export (1980) UK


http://www.megaupload.com/?d=43SAA1XY


Irishman Bernie Tormé is a hugely talented guitarist renowned for some particularly wild axework and theatrics.
Such showmanship brought him close to 'guitar hero' status whilst in GILLAN in the late '70's & early '80's.
After a spell with the Dublin based URGE, Tormé relocated to London from Ireland, forming SCRAPYARD in 1976.
A Hard Rock trio of Tormé, bassist Bernie Hagley, and drummer Roger Hunt, Scrapyard gigged solidly throughout the London area.
Hagley was to depart and the band were swiftly brought back up to strength with the addition of former ZZEBRA bassist John McCoy.
However, this union lasted only a matter of months with Tormé striking out on his own as THE BERNIE TORMÉ BAND.
McCoy meanwhile soldiered on with Paul Samson on guitar as Scrapyard became McCOY.
The Bernie Torme Band managed to release two singles and contributed tracks to the Punk compilation album "Live At The Vortex".
The Bernie Torme Band, still a trio, then put in some British supports to Gillan, the headline act now featuring McCoy on bass.
An album was recorded for Jet Records but remains unreleased.
Disillusioned, Tormé took up his old colleague John McCoy's offer to hook up with Gillan.
After leaving Gillan in 1981, Tormé joined ATOMIC ROOSTER, appearing on their "Headline News", album and undertaking two tours of Germany and Italy.
Whilst trying to assemble another solo band, Tormé was asked to fill in for Randy Rhoads in OZZY OSBOURNE's band following the American guitarist's tragic death.
Torme's stint on Ozzy's American tour lasted but two weeks, with the pressure being too much for the Irishman.
Returning to London with Osbourne's blessing, Tormé, set back to work on his own band ELECTRIC GYPSIES.
The "Turn Out The Lights" album, released under the "Bernie Torme" name, featured future SAXON drummer Nigel Glockler, bassist Phil Spalding and Bernie's ex-Gillan partner Colin Towns on keyboards.
For live work Electric Gypsies consisted of Tormé handling both vocals and guitar, Everton Williams on bass and drummer Frank Noon, the latter being on temporary loan from STAMPEDE.
In 1982 Tormé appeared on ex-Gillan keyboard player Colin Towns' solo LP 'Making Faces', which only saw a Japanese release.
The "Live", album, (released during 1984), featured original IRON MAIDEN member Ron "Rebel" Matthews on drums.
A later British tour saw the addition of bassist Chris Heilmann, later to turn up in US act SHARK ISLAND, and ex-FRAMED drummer Ian Whitewood with vocalist Kef.
In 1984 former GIRL vocalist Phil Lewis joined the band on a temporary basis following vocalist Kef's sudden departure before joining on a full time basis.
Two albums (using the TORMÉ handle rather than Electric Gypsies) and successive British touring kept the band in the press, but momentum seemed to be waning.
Lewis then relocated to Los Angeles to join American act L.A. GUNS.
Tormé formed the shortlived RUSSIAN HIPPIES in 1988 with Bennet, vocalist Gary Owens and ex-BOMBSHELLS bassist Marc Russell.
However, progress was minimal so Tormé and Russell travelled to America at the request of former TWISTED SISTER vocalist DEE SNIDER to join the vocalist's DESPERADOS outfit.
The DESPERADO project of Tormé, Snider, Russell and ex-IRON MAIDEN drummer Clive Burr initially scored a huge deal with Atlantic Records.
However, after more than two years the band had switched to Elektra and, having laid down an album, discovered the label had no intention of releasing it.
The DESPERADO album was finally released posthumously on an independent label at a much later date.
Although Snider offered Tormé a position in a new act he was putting together, WIDOWMAKER, the Irishman opted to return to London.
Upon his return Tormé put in a guest guitar appearance on guitarist RENE BERG's "The Leather, The Loneliness & Your Dark Eyes", album in 1991.
Another project band was titled MUTANT with Blacken and Magpie of MOURNBLADE.
The year 1994 saw another solo album release, "Demolition Ball".
Early 1997 found the guitarist involved in Mick Underwood's reformation of the cult act QUATERMASS.
Although Tormé wrote material for the album, "Long Road", he was to opt out before recording of the album.
The guitarist's own solo album of that year, "Wild Irish", recorded with Pearce and Jones, came out limited to merely 500 numbered copies.
Maintaining this renewed momentum a further studio album was issued in 1999, one track including lead vocal from Dee Snider.
Torme returned to the band format for the 'all star' SILVER project.
The band also witnessed a welcome return to action by former MICHAEL SCHENKER GROUP vocalist Gary Barden.
Joining Torme and Barden would be H-BLOCKX drummer Marco Minnemann and MAD MAX, CASANOVA and DEMON DRIVE bassist Michael Voss.
Keyboards were in the hands of as true veteran, Don Airey of RAINBOW, OZZY OSBOURNE and DEEP PURPLE fame.
in 2007 Torme formed GMT with his former Gillan colleague bassist John McCoy with drums handled by Robin Guy of RACHEL STAMP and the BRUCE DICKINSON band.

BERNIE TORMÉ - Turn Out The Lights (1982) UK

http://www.megaupload.com/?d=MZ85ZDSV

Next, we bring you another contibution courtesy of Weaselkin1, as always, many thanks!
Leamington Spa's CHEVY were a five piece NWOBHM band best known for appearing on the "Metal For Muthas II", compilation album.
Founded in 1979, this is not the same Chevy that released the obscure "Out On The Street", 7" single the same year, even though for many years some publications led everyone to believe it was.
As they demonstrated on their lone album, 1980's "The Taker", Chevy were a little older, wiser and classier than many of the bands lumped in with the NWOBHM.
More of a Hard Rock band with Metallic leanings, they proved to be a formidable live proposition, touring hard in 1980 and '81 with the likes of WILD HORSES and HAWKWIND.
Their label, Avatar Records, released 3 Chevy singles during these years, and the band were also broadcast live on BBC Radio 1's "In Concert" programme twice.
In September 1981 both Steve Walwyn and Andy Chaplin quit, to be replaced by guitarist Barry Eardley and drummer Ted Duggan.
A projected second album was recorded, but the tapes were never finished and the band split.
In 1987 Poole, Cure, Shanahan and Duggan re-emerged to form RED ON RED with ex-BADFINGER guitarist Bob Jackson and keyboard player Mark Stead.
Whereas Walywn went on to become a member of perennial R&B rockers Dr. FEELGOOD.
Later Bob Poole was a member of NAZARETH guitarist Billy Rankin's BILLY RANKIN BAND, before emigrating to Germany where he now performs a solo act.
Chevy reformed in 2010 to play a one off charity show in Leamington Spa in aid of MacMillan Cancer Support.
It was never intended to be any more than a one off event, and despite the overwhelmingly positive reception they received, they went their separate ways again after the gig.
This show is NOT the commonly circulated 1st BBC concert that was broadcast as the second half of the programme where Chevy shared the 1981 bill with TYGERS OF PAN TANG.
This is their recently unearthed 6 song 1982 show, their second and final appearance on the BBC's "In Concert" show.

CHEVY - BBC In Concert (1982) UK

http://www.megaupload.com/?d=43ILVHDB

WINTERKAT were a Hard Rock/Pomp Rock band formed in San Antonio, Texas in 1982.
The group rose from the ashes of LIQUID SKY, a band that had appeared on the "KISS Homegrown" radio station compilation LP in 1981.
Guitarist Jonathan Grell had appeared in that group and formed WINTERKAT with vocalist Ric Swanson, drummer Gerado Ramirez and bassist Dean Vallecillo, the latter pair both being ex-HEYOKA members.
The following year saw the band release a self-titled five song Mini LP on their own Winterkat Records label.
Although Gerado Ramirez played keyboards on the album, MYTH man Ruben Castaneda was used for live shows.
Ric Swanson left to form AOR band NIGHTWORK in 1985, releasing a self-titled album in 1986.
He was replaced at the Winterkat microphone by Michael Steele Grothues, another former Heyoka member.
A further Mini LP, "The Struggle", was issued on Monument Records in 1986, featuring a cover of JIMI HENDRIX's "Little Wing", alongside six originals.
The band struggled on until the early '90's, but by this time many of the band's key players had moved on to other projects.
Bassist Dean Vallecillo went on to join Minneapolis band DARE FORCE, performing on their 1989 "Firepower" album.
Jonathan Grell founded DIRTY WATER with singer Rhett Forrester, formerly of RIOT.
This band demoed material but the project came to a screeching halt in 1994 when Rhett was tragically murdered.
After Winterkat, Grell founded SUITE 16, an alliance with ex-S.A. SLAYER and RIOT members Bobby Jarzombek and Don Van Stavern.
John Grell later went on to join the Southern Rock group MUDPIE, which included former members of MSG, SALTY DOG and STEELHOUSE LANE, releasing a self-titled CD in 2002.

WINTERKAT - Winterkat Mini LP (1983) USA

http://www.megaupload.com/?d=AVNOHE52

PROUD FLESH were a German Heavy Rock band formed in 1969 in the city of Bonn-Bad-Godesberg.
The group was made up of musicians who had previously played with local bands COOL STOVE, DESPERADOS, HANGMEN and RATS.
The band's early repertoire consisted of interpretations of DEEP PURPLE, SPOOKY TOOTH, LED ZEPPELIN, TEN YEARS AFTER and BLACK SABBATH, alongside their original compositions.
Proud Flesh toured all over Germany, did gigs in Luxembourg and were the supporting act for famous European bands such as THE LORDS, THE RATTLES and GOLDEN EARRING.
The band signed with the Cologne based Resondo Records label, and released a debut single, the untypically lightweight "Happy", in early 1970..
The band then contributed a track to the "Wir im Scheinwerfer" compilation LP, but were dissatisfied with the thin sound of these early recordings.
This was remedied in 1971 with the release of the "Devil Flight" 7", a furious proto-Metal pounder in the vein of SABBATH or URIAH HEEP.
The B-Side, "Blind", was equally impressive, and the band seemed poised to have a crack at the big time.
Sadly, although a further single, "On The Run", was recorded in 1972, it went unreleased and the band split up.
In the early 1990's interest in the band amongst collectors saw the prices of their releases soar, a trend which only intensified after their appearance on the 1995 "Prae-Kraut Pandaemonium Vol. 5", compilation album.
Another compilation appearance, this time on "Obscured by Krauts", brought the bands name to the attention of another generation of music fans in 1998.
In 2006, the band self-released a remastered collection of their 1971-72 recordings under the title "Digitalized".
The five song Mini album contained both sides of the "Devil Flight" single and finally, both sides of it's unreleased follow up, "On The Run".
Since then the band's members have been tentatively working on material for a proposed new release.

PROUD FLESH - Digitalized Mini LP (1971-72) Germany

http://www.megaupload.com/?d=7FYLGBSK

Swiss Heavy Metal sextet WITCHCRAFT were formed in the town of Wetzikon, Zurich in 1983.
They debuted later that same year with the rare 7" single, "Runnin' Away", on Musk Project Records.
Whilst the A-Side was a typical rocker in the SPIDER/Dr. FEELGOOD mould, it was the excellent flipside which made the record worthy of investigation.
B side, "Dead End Street", is a slow burning mini-epic with some excellent guitar playing and vocals which bring to mind "In Your Face" era TKO.
After this release Witchcraft changed their name to BLOODY SIX.
In 1984 Bloody Six issued their lone album, "In The Name Of Blood", on Camel Records.
The album attracted positive reviews with it's ACCEPT and JUDAS PRIEST blueprint enlivened with some great individual performances and strong songwriting.
The Belgian Mausoleum label then picked up the album, and released it Europe wide in early 1985.
To support the record's wider release, Bloody Six toured Europe that year as support to FAITHFUL BREATH.
Vocalist Peter McTanner then joined HEADHUNTER, a band featuring ex-KILLER members for their lone eponymous 1985 album on the Bacillus label.
This in turn sadly led to Bloody Six splitting up and going their separate ways.
Guitarist Claudio Matteo went on to form the Hard Rock act CHINA in 1987 with former members of HEADHUNTER, KROKUS, KILLER and STORMBRINGER.
With China, he recorded six albums between 1988 and 1995 and toured Europe extensively before their split.
They occassionally reunite to play festival or club dates, but no new recordings have surfaced since '95.
Former Bloody Six vocalist McTanner later dropped the 'Mc' from his surname and joined KROKUS for their 1990 album "Stampede".
As Tanner he also contributed vocals to THE HEAVYS side project of Krokus guitarist Fernando Von Arb and keyboard player Jürg Naegeli.
Tanner was later to be found fronting Mr. PERFECT, an act featuring former U.D.O., CRAAFT and SINNER members.
By 2000 Tanner was in collusion with another ex-KROKUS vocalist Marc Storace issuing the DC WORLD eponymous album.
Quite surreally the whole affair was a medley of AC/DC hits with Tanner aping the part of Brian Johnson whilst Storace handled the Bon Scott parts.
Along with some other ex-Krokus and DC World members, Tanner now operates on the live circuit as tribute band AC/CD!

WITCHCRAFT - Runnin' Away 7" (1983) Switzerland

http://www.megaupload.com/?d=EJ99A06C

Finally tonight, some excellent Southern Rock courtesy of contributor Jorge Larionda. Thanks mate, NILOOB salutes your generosity!
There have been a great many bands called "Southern Cross Band" or "Southern Cross" down the years.
Here's what little we know about this particular SOUTHERN CROSS BAND, who were skillfully adept at blending Southern Rock with Hard Rock.
It transpires that the band was based in Long Island, New Jersey, (a strange locale for a Southern Rock act), and were formed by the Prewitt brothers who had moved to New York from the South.
Both Prewitt brothers, Joe and Sonny were accomplished singers and guitar slingers.
They were very active on the live circuit from the late 1970's to the mid-1980's, building up a big live following, especially in the tri-state area.
Sadly, it doesn't seem that there were any official releases from them besides this, the two song promo "Lady Killer"/"Outlaw (Josey Wales)" 7".
However, these same two songs also turned up on a few different compilation albums of local acts put together by various New York radio stations at the time.
The A-side, "Lady Killer", is quite commercial, but still gutsy, with a really catchy chorus and a nice Hammond solo too.
The epic flip side, "Outlaw (Josey Wales)", is excellent, sounding like a beefed up version of THE OUTLAWS, with some great tempo changes and extended soloing.
It also reminds me a little of the band ASHBURY, who recorded the album "Endless Skies".
During their time Southern Cross Band supported Southern Rock legends THE ALLMAN BROTHERS BAND and THE WINTERS BROTHERS BAND at shows in the NY area.
Singer/guitarist Joe Prewitt is still active, having fronted a band called THE MANGOS for the last 20 years or so, apparently still playing in the Southern style, and they've just released an album called "Ain't Dead Yet".

SOUTHERN CROSS BAND - Lady Killer/Outlaw (Josey Wales) 7" (1982) USA

http://www.megaupload.com/?d=J05Y9S3M

So that's another post of distinction for you all to pore over.
Thanks again to Weaselkin1 & Jorge Larionda for their contributions, i'm sure you've made many of our visitors very happy with your shares, as well as lightening my work load a little.
Thanks also to everyone who takes the time to share their thoughts, praise, gripes and remembrances about the blog and the music we post.
Keep them comments coming.
It's what keeps me, (and thus the blog), going.
See you all back here again in 2-3 weeks for even more great vintage Rawkin'.
You won't believe some of the stuff that we'll be bringing you in the not too distant future!
O'er & oot.