Saturday, February 26, 2011

BRUSHING THE CHEESE BOARD

Hello again rivetheads and earthdogs, 'tis i, Bigfootkit.
Yes, it's been a fortnight already, and i've been a busy boy, down in the vintage rawk mine with my pickaxe in hand, excavating more vintage musical treats for the benefit of you discerning people with impeccable taste.
Christ on a crutch, i do mix my metaphors and talk some terrible shite sometimes, sorry.
You may notice the page looks a little different, i'm experimenting with clickable thumbnails as it may make the "design" (cough-cough!) a little neater. So if you need to see the full size cover art, just click on the thumbs.
Got it?
On with the musique eh?
OVERKILL were a Los Angeles band formed in late 1980 by drummer Kurt Markham and bassist Ron Cordy.
Kurt, the group's main songwriter, was originally the guitarist but moved to drums in an attempt to lure friend Felice LoCoco, a guitarist, to join the group.
Felice, a Metal fan, wasn't interested in joining a Punk band, though, and instead Jeff Dimick was added on guitar.
The group played their first gigs with a singer named "Joe", and their mix of Hardcore and Pre-Thrash Metal caught the attention of BLACK FLAG and SST Records.
SST wanted to put an Overkill record out but the band was tired of Joe, so they dumped him.
At the suggestion of SST's Greg Ginn, Overkill added Merrill Ward, a close associate of Black Flag and a sometime member of SST "supergroup" the NIG-HEIST.
In late 1981, Overkill recorded their first EP with Spot, after which Jeff left the group.
Upon hearing the songs from the EP, Felice LoCoco changed his mind about playing in the band and joined the group.
The EP, titled "Hell's Getting Hotter", was released in mid-1982. The group had also started recording their first LP that year.
Ego problems began to cause tension between Merrill and the rest of Overkill and he was given the boot in the spring of 1982.
Intervention by Greg Ginn and Chuck Dukowski on behalf of Merrill had no effect.
The firing of Merrill Ward, along with the band's decision to pursue Heavy Metal cost them much of their Punk audience.
Merrill's replacement, called Scott Kidd, did little to help the situation with his inability to write decent lyrics and his onstage cock-rock posturing.
Thrash Metal was also on the rise but Kurt Markham, who wrote much of the music, refused to follow that route, causing more tension within the band.
In late '82, Overkill played a gig in San Fransisco with Bay-Area Metal act TRAUMA.
The gig is famous because it was where METALLICA's James Hetfield and Lars Ulrich first saw Trauma bassist Cliff Burton, who they then recruited.
In 1983, Ron Cordy quit to play bass in metal act BITCH and Overkill officially came to an end.
SST released Overkill's LP, the 14 song "Triumph Of The Will", with vocals by Merrill, posthumously in 1985.
Overkill's name has long been a source of confusion because in the early '80's, another Overkill formed in NY.
This Overkill, a Thrash Metal band who released their first record in 1984 and still continue to this day, ended up copyrighting the band name.
SST retitled later CD copies of "Triumph Of The Will" to read "Overkill L.A." in the '90s to end the confusion.
Despite the fact that they seem largely forgotten, the members of Overkill have talked about reuniting several times, although nothing has ever panned out.
Merrill Ward finished out the '80's singing for Chuck Dukowski's post-Black Flag act SWA before embarking on an acting career.
Ron Cordy also carried on in Bitch for the rest of the decade, although big-time success alluded that band.
Kurt Markham was the original drummer for Dez Cadena's post-Black Flag act DC3, although he dropped out early on.
I'll leave you with this amusing summation of Overkill's career from the book "Rock And The Pop Narcotic" by Joe Carducci :
"Any band whose singer lights his balls on fire in performance is perhaps not destined to survive long".
Large chunks of this biography were lifted from the excellent http://www.killfromtheheart.com/ website

OVERKILL - Triumph Of The Will (1983) USA












http://www.megaupload.com/?d=WG489BEO

Next, DEALER, a Cirencester, Gloucestershire NWOBHM band band was rooted in the earlier AXE VICTIMS, this antecedent outfit featuring vocalist Trev Short, bassist Pete Gentil and drummer Malcolm Hanselman.
Suffering membership changes, the band evolved into LONE WOLF.
However, due to the formation of a London based act of the same title, fronted by the high profile figure of ex-IRON MAIDEN singer Paul Di'anno, the name DEALER was struck upon.
Shortly afterwards, Hanselman was replaced by Andy Jones.
DEALER scored national media by appearing on the HTV television programme 'Best Band West' and scored valuable supports to GARY MOORE and MOTORHEAD.
1982 saw the release of "Boogie, Booze & Birds", a 9 song cassette recorded in the bands’ rehearsal space, (Steve’s Dads’ shed), and mixed by Dave Short straight onto 1/4” stereo tape.
After a complimentary "Armed & Ready" piece in Kerrang! magazine, the band released the 1983 single "Better Things To Do", on the Windrush label.
A three song demo was recorded the following year containing 'The Final Conflict', 'Money Is Your Password' and 'Looking For A Reason'.
Guitarist Andy Dunne was enrolled but soon vacated his position, being substituted by a then 17 year old Ashley Jon Limer.
DEALER's solitary album "First Strike", emerged on Hull's Ebony Records in 1987, after which frontman Trev Short was briefly replaced by female vocalist Julie Gove.
DEALER folded in 1988. A terrible pun, but there you have it!
Subsequently, Trev Short, bassist Pete Gentil, guitarist Ashley Jon Limer and drummer Andy Jones went on to form the more melodic VAN DAMNE and Limer later turned up on a couple of SACK TRICK albums.
With the advent of the internet and the resurgence of interest in the NWoBHM, Dealer decided to remaster all their old recordings and self-released four full length CDs of archive material on their own Rock Factory label.
The CDs were the 1982 cassette "Boogie, Booze & Birds", the half live, half studio "For Old Time's Sake", "First Strike" and "One More Time!", an albums worth of unreleased 1988 recordings.
ONR Records from Greece then licensed the CD "Bootlegged", a collection of demos; compiled and re-mastered by Trev, and then released a remastered CD version of the band's "First Strike" album in 2010.
High Roller Records of Germany then reissued "Bootlegged" on vinyl with a superb full colour 4 page booklet of lyrics and photo’s.
The record (available in black and limited edition while vinyl), sold out quickly, so High Roller then produced a second pressing.
The band played a one-off reunion gig in 2010, which yielded the live album "The Last Concert", now available from http://www.dealer.uk.com/


DEALER - One More Time! (1988) UK












http://www.megaupload.com/?d=RLTHK660

GRAND SLAM were a five piece Hard Rock band formed in 1984, the brainchild of ex-THIN LIZZY frontman Phil Lynott.
Lynott had originally intended to include two members of the most recent Thin Lizzy line up, guitarist John Sykes and, (after being turned down by MOTöRHEAD drummer Phil "Philthy Animal" Taylor), drummer Brian Downey.
Sykes, after much cajoling and an impressive financial offer, instead opted to join up with David Coverdale in WHITESNAKE.
Downey initially signed up to Grand Slam but quit after a short time, saying he "didn't see the point in making a second-rate Thin Lizzy".
Lynott, although downhearted, carried on with his project, ending up with a line-up of Laurence Archer (Lead Guitar; ex-STAMPEDE, WILD HORSES & LAUTREC), Doishe Nagle (Guitar), Robbie Brennan (Drums), Mark Stanway (Keyboards; ex-MAGNUM), with Lynott on Bass and Vocals.
Lynott was keen to shed the "second-rate Thin Lizzy" tag, and was adamant that they would only ever perform three Lizzy songs live, ("Cold Sweat", "Sarah", "Whiskey In The Jar").
Grand Slam split up in 1985, due to their inability to secure a record deal, despite being an excellent live act with a large cult following.
Lynott instead embarked upon a solo career, releasing the "Out In The Fields" single (A duet with GARY MOORE), before following it up with the "Nineteen" 7", which was, ironically, a Grand Slam song.
Gary Moore then also recorded a version of a Grand Slam track, this time it was "Military Man", for his "Run For Cover" album.
Post-Grand Slam Laurence Archer recorded a solo album, titled "L.A.", which was only released in Japan in 1985.
Stanway returned to his previous band, MAGNUM, rejoining in time for their successful "On A Storyteller's Night" album.
Stanway remains a member of Magnum, and in 2002 he found time to produce and release 2 posthumous Grand Slam CD's, "Grand Slam : Live 1984", and "Studio Sessions".
Archer, having passed through the ranks of UFO, LONG ISLAND RED and MEDICINE HEAD has recently returned to music, reforming his old band STAMPEDE.
Phil Lynott sadly died on the 4th of January 1986 from liver, heart and kidney failure, a result of his years of hard drug and alcohol abuse.
He was just 36.

GRAND SLAM - BBC In Concert (1984) UK












http://www.megaupload.com/?d=5XNJ6H3I

JINX were a French Heavy Metal/Hard Rock band formed in 1981 in La Roche-sur-Yon, Pays de la Loire, originally under the name of SERVICE COMPRIS.
Having recorded a 10 song album in 1984, they were unable to find a label interested in releasing it, after a word of mouth arrangement with an un-named company fell through.
Undeterred, the band released the recordings themselves on cassette as "Watch Your Blood" which went on to sell well and attract glowing reviews.
As a result of the tape's success the band were signed to Devil's Records, and after slimming to a quartet, changed their name to Jinx.
After the band's members adopted anglicised nom-de-plumes they went back into the studio in 1985.
The resulting sessions yielded the six song "Stand Up For Rock'n'Roll Power!" Mini Lp, released in 1986.
Switching labels to Swan Productions, a further release, the four song "Rockin' Band" EP followed in 1988.
However, this record was a slicker sounding affair, and seemed to alienate the band's fanbase which shrank accordingly.
Jinx then split up, without issuing any further product, in 1990.
Guitarist Fabien Gevraise then went on to contribute to the FURIOSO project and joined FACE TO FACE, playing on their 1992 debut album.
Sadly, that same year Jinx bassist Ricky "Riton" Buccatini, died of a heart attack aged just 26.
Gevraise also sadly died too young, passing away in 2007 at only 43 years of age.

JINX - Rockin' Band EP (1988) France












http://www.megaupload.com/?d=3CJQZKWX

ORIGINAL SIN were a NWOBHM quintet formed in Liverpool in 1979, by the Brunskill brothers, Les and Alan, on Guitar and Drums respectively.
It's rumoured that the band recorded 1 or 2 demos in the early 1980's, but as far as i'm aware, the existence of the tapes have not yet been verified by any trustworthy source.
Gradually, the band line-up changed, solidifying round the Brunskills, with Vocalist Steve Daley, Guitarist Kevin McGinn and Bassist Paul Ollingsworth completing the outfit.
Original Sin's only verified official release would turn out to be the 1984 "The Shadow" 12" single, released on the band's own Sin Records label.
The single's rather nifty picture sleeve sported a striking illustration of the cult early radio and comic book character The Shadow.
Although the exact size of the single's pressing is unknown, it seems unlikely that any more than a few hundred were ever made, as the record hardly ever turns up for sale.
On the rare occassions when it does, as you'd expect, it changes hands for silly money.
However, this is one of those rare instances where the rarity and quality of a scarce release intersect rather nicely.
Both sides of the single are excellent examples of NWoBHM power, with memorable and gritty song structures combined with clever guitar interplay.
It's a real shame that we don't have more releases by this great band, as, on the evidence of "The Shadow", they sounded like real contenders.
For comparisons sake, think GRIM REAPER playing DIAMOND HEAD whilst dreaming of being JUDAS PRIEST, and that should give you a taste of what to expect.
If anyone knows more about Original Sin, please clue us in.
This band was no relation to the Huntingdon or London based acts or the New York or Los Angeles bands of the same name, or the Chinese (!) Black Metal band either.

ORIGINAL SIN - The Shadow 12" (1984) UK












http://www.megaupload.com/?d=TCI110D8

Finally, and just to show how much a band can change in it's short career, BRIAR were a young NWOBHM band formed in Birmingham 1979, initially using names such as LUCIFER, ARK & EMERALD in the early days.
The bands first gig under the Briar name was in 1980, and from there they were soon gigging regularly supporting the likes of CRYER and SHY.
In 1982, after some line up changes, the first Briar 7" single "Rainbow To The Skies", was released on Worcester indie label Happy Face Records.
The record recieved brilliant reviews, with metal magazine Kerrang! claiming "Another new band on their way to stardom !".
BBC Radio 1 DJ Peter Powell gave the band their first radio session at this time and also featured Briar on his TV show "The Oxford Roadshow".
Soon the band inked a record deal with FM/Heavy Metal Records and their first album "Too Young", was released.
The band took to the road again, supporting TYGERS OF PAN TANG, STATETROOPER and ANGEL WITCH.
The band then put out a new longplayer in 1986 titled "Take On The World", which saw Briar embrace a far slicker AOR based sound.
At this point Briar were signed to (later) disgraced pop empressario Jonathan King's management company, JonJo.
A new record deal with PRT was signed and the "Edge Of A Broken Heart" single became a minor hit, eventually reaching the top 50 in the national singles chart.
In 1988 a new worldwide record deal was signed with CBS/Columbia and a new album album was released titled "Crown Of Thorns", followed by a single titled "Frankie".
Although things appeared to be going well, behind the scenes the band were becoming disillusioned having recorded a further album's worth of material titled "Reach Out" which was never given an official release.
The band parted company with Jonathan King in 1990 after the band's last major label 7" release "One Monkey" on A&M Records.
At this point band manager George Bond set up his own label Shotgun Charlie Records and put out a new Briar 7" "Gimme All You Got".
The band issued one more single, "All She Wants", & an album "Hard Times", a keyboard heavy Bon Jovi styled release, but by 1993 Briar was no more.

BRIAR - Gimme All You Got 7" (1989) UK












http://www.megaupload.com/?d=Y9CXMUOW

And that's yer lot for another two weeks.
Thanks as always to everyone who took the time to comment and leave their thoughts and opinions in the comment section last time.
Ron...The Cheeb, nice to hear from you, it had been a wee while since i'd seen your name around these here parts and i was wondering what had become of you.
I'll be brief, 'coz i'm short on time tonight, so...more comments please, keep 'em comin', i'll be back with more of the same in 2 short weeks time, be lucky.
Ten-four, good buddies!

Saturday, February 12, 2011

BURN THE BACON

G'day y'mongrels, back again for another round of interesting rawk an' rollin' excavations?
You've come to the right place boys an' gals, we've got a great great selection of rare treats for your enjoyment.
Let's get into it eh?
Guitarist Greg Leon had, prior to creating his own act, journeyed through many well known Los Angeles acts : replacing Randy Rhoads in QUIET RIOT, before hooking up with DOKKEN.
Pre-Quiet Riot, Leon had been a member of SUITE 19, an act that boasted the inclusion of a pre-MÖTLEY CRÜE Tommy Lee on drums.
Leon briefly worked with Lee and bassist Nikki Sixx on their new band CHRISTMAS, but was replaced by ex-WHITEHORSE and VIDEO NU-R guitarist Bob Deal (a.k.a. 'Mick Mars') as the group evolved into the more familiar MÖTLEY CRÜE.
Following his stint with DOKKEN in the early '80's, the guitarist created the GREG LEON INVASION.
On drums would be John Covington, a former member of Arizona's pre-ICON act THE SCHOOLBOYS, and also figuring briefly in the ranks would be no less a figure than future OZZY OSBOURNE/BADLANDS guitarist JAKE E. LEE.
The initial line-up included ex-ROYAL DECREE and SAPPHIRE bassist Joey Vera, before he quit for the heavyweight ARMORED SAINT.
Neverthless, Vera made his mark on the band, appearing on the now highly collectable 1982 7" single "Every Time", issued by the Canadian Kondor label in '83.
Greg Leon Invasion released a self titled 9 song album through Maywood based cult label Azra Records in 1983, which was also pressed as a picture disc.
Side One of the album was the heavier of the two, with the material on the flip being more in the melodic Hard Rock mould.
With the eventual demise of the band, Leon made a fleeting appearance in ROUGH CUTT, undertook studio work with DIO and a had brief periods in VYPER and MARSHALL LAW.
He also formed a group called SKIN AND BONES in late 1983 that included assorted members of 3RD STAGE ALERT, LITTLE TOKYO and BEOWULF.
Dutch bassist Jeronimo (a.k.a. Jeroen Bos), joined the band (now known simply as INVASION) in 1985.
He had been a member of the Dutch Metal band BODINE, appearing on their 'Three Times Running' album, and the NIKKI BUZZ BAND, the Dutch based group led by ex-VENDETTA guitarist Nikki Buzz.
Leon, working with erstwhile BLACK CAT BONES and LEAFHOUND bassist Stuart Brooks and former SURVIVOR drummer Mark Droubay, founded WISHING WELL for a self titled album in 1997 on Fandango Records.
During 2005 Leon made a surprising return, touting a brand new album under the Greg Leon Invasion banner called, "Unfinished Business".
The guitarist's new band included George Roelke on bass, formerly with BRAND NEW DAY and SHOUT, alongside drummer Greg Stevens.
The 2007 version of Greg Leon Invasion re-introduced original drummer John Covington before the band performed at the enormous 'Rocklahoma' festival.
This excellent 320kbps rip of the GLI debut album comes with the 2 songs from the earlier 7" as bonus tracks.
Enjoy.

GREG LEON INVASION - Greg Leon Invasion (1983) USA

http://www.megaupload.com/?d=J3AKH866

Next, A BAND CALLED DORIS were an obscure five piece NWOBHM/Prog Rock band formed in Holmes Chapel, Stoke, in the late 1970's, and were initially just named "DORIS".
Their first release was the "Living Danger" 7" single on their own ABCD Records label in 1981, although at that time they were still going by the shorter "Doris" moniker.
As "ABC DORIS", they contributed the song "Many Miles From Home" to the Stoke Musicians Collective 1981 compilation album "Cry Havoc".
They followed this in 1982 with the release of their ten song "Gypsy Lady" album, also on ABCD Records, their first and last release under the longer "A Band Called Doris" title.
It's a much sought after piece nowadays, with the "Record Collector Rare Record Price Guide" valuing the LP at £250.00!
This appears to have been the band's swan song, but the LP's ABCD 3 serial number suggests that there just may be another Doris/A Band Called Doris release out there somewhere.
The "Gypsy Lady" album was later bootlegged on CD by Sunblind Records in 2009, with the "Cry Havoc" contribution and the single's non-LP B-Side added as bonus tracks, from which this 320 kbps rip apparently comes.
Don't expect NWOBHM a-la VENOM, TANK or WARFARE, but if you like your music varied and progressive with occasional rocking sections, you should find much to enjoy here.
Strangely, whilst researching this band i discovered at least two others also called "A Band called Doris", one from America, and one from Argentina!
How on earth did (at least) three bands end up with this terrible name?

A BAND CALLED DORIS - Gypsy Lady (1982) UK

http://www.megaupload.com/?d=29F86DKU

JINX were a French Heavy Metal/Hard Rock band formed in 1981 in La Roche-sur-Yon, Pays de la Loire, originally under the name of SERVICE COMPRIS.
Having recorded a 10 song album in 1984, they were unable to find a label interested in releasing it, after a word of mouth arrangement with an un-named company fell through.
Undeterred, the band released the recordings themselves on cassette as "Watch Your Blood" which went on to sell well and attract glowing reviews.
As a result of the tape's success the band were signed to Devil's Records, and after slimming to a quartet, changed their name to Jinx.
After the band's members adopted anglisised nom-de-plumes they went back into the studio in 1985.
The resulting sessions yielded the six song "Stand Up For Rock'n'Roll Power!" Mini Lp, released in 1986.
Switching labels to Swan Productions, a further release, the four song "Rockin' Band" EP followed in 1988.
However, this record was a slicker sounding affair, and seemed to alienate the band's fanbase which shrank accordingly.
Jinx then split up, without issuing any further product, in 1990.
Guitarist Fabien Gevraise then went on to contribute to the FURIOSO project and joined FACE TO FACE, playing on their 1992 debut album.
Sadly, that same year Jinx bassist Ricky "Riton" Buccatini, died of a heart attack aged just 26.
Gevraise also sadly died too young, passing away in 2007 at only 43 years of age.

JINX - Stand Up For Rock'n Roll Power! Mini LP (1986) France

http://www.megaupload.com/?d=RSOQAEY2

Swedish Heavy Metal/Progressive Rock quartet ACHILLEUS were formed in Jonkoping in 1982.
A demo cassette called "Av", brought the band to the attention of Pang Records who signed them.
Their sole release followed later the same year, the Swedish language "Allt Vi Begär " 7".
Although it created barely a murmur of interest at the time, it's now a very sought after record.
It's unusual mixture of Heavy Metal and Progressive Rock ensures that it's now a "wants" list item for fans of both FWOSHM and Prog fans.
Here's another brief write up of the record from DaN at www.thecorroseum.com.
For more information on FWOSHM singles, check out his excellent "707 Inches Of Swedish Steel" article at the website.

"Completist FWOSHM-collectors could definitely do a lot worse than checking out this prog/HM crossover thingie.
"Allt Vi Begär" ("All We Ask"), comes crammed with really aggressive Metal riffing seldom heard in a release this early, as well as really weak and poppy parts mandatory of the genre.
Some of those quirky harmony-breaks are awesome though.
"Öbergs Präster" ("The Priests of Öberg[?]"), is more prog than Hard Rock, not entirely without some decent, heavier moments but hardly like the MANILLA ROAD or ANGEL WITCH-style bits on the A-side.
Had the vocals not been so pissing weak and wimpy this could have been a quite remarkable new discovery."

A little harsh on the singer i thought, but absolutely spot on in every other regard!

ACHILLEUS - Allt Vi Begär 7" (1982) Sweden

http://www.megaupload.com/?d=RZX97NUF

ARROW were a Melodic heavy Metal quartet formed in Jonkoping, Sweden in 1984.
Their first release came later that self same year, a 7" single entitled "The Only Way", on their own Arrow label.
Two years later the band followed this with the four song "Diary Of A Soldier" Mini LP, also on the Arrow label.
The band then split up without issuing anything further.
Their records, although not big sellers at the time, have since become rather collectible as interest in the FWOSHM (First Wave Of Swedish Heavy Metal), has grown.
Here's a brief review of the 7" by DaN from www.thecorroseum.com as part of his excellent, informative and educational "707 Inches Of Swedish Steel" article.

"Mostly known for their collectible "Diary Of A Soldier" Mini LP from 2 years later, this debut release outshines the 12" with not 1 (like on the Mini LP) but 2 melodic Metal cuts good enough for anyone with an interest in rare FWOSHM and 8 minutes to spare.
"Better Run", has the upper hand with a pretty catchy chorus.
U dig MINDLESS SINNER, PARASITE, TORCH etc - U dig this."

Simples!

ARROW - The Only Way 7" (1984) Sweden

http://www.megaupload.com/?d=4XIM5MYD

BRIAR were a young NWOBHM band formed in Birmingham 1979, initially using names such as LUCIFER, ARK & EMERALD in the early days.
The bands first gig under the Briar name was in 1980, and from there they were soon gigging regularly supporting the likes of CRYER and SHY.
In 1982, after some line up changes, the first Briar 7" single "Rainbow To The Skies", was released on Worcester indie label Happy Face Records.
The record recieved brilliant reviews, with metal magazine Kerrang! claiming "Another new band on their way to stardom !".
BBC Radio 1 DJ Peter Powell gave the band their first radio session at this time and also featured Briar on his TV show "The Oxford Roadshow".
Soon the band inked a record deal with FM/Heavy Metal Records and their first album "Too Young", was released.
The band took to the road again, supporting TYGERS OF PAN TANG, STATETROOPER and ANGEL WITCH.
The band then put out a new longplayer in 1986 titled "Take On The World", which saw Briar embrace a far slicker AOR based sound.
At this point Briar were signed to (later) disgraced pop empressario Jonathan King's management company, JonJo.
A new record deal with PRT was signed and the "Edge Of A Broken Heart" single became a minor hit, eventually reaching the top 50 in the national singles chart.
In 1988 a new worldwide record deal was signed with CBS/Columbia and a new album album was released titled "Crown Of Thorns", followed by a single titled "Frankie".
Although things appeared to be going well, behind the scenes the band were becoming disillusioned having recorded a further album's worth of material titled "Reach Out" which was never given an official release.
The band parted company with Jonathan King in 1990 after the band's last major label 7" release "One Monkey" on A&M Records.
At this point band manager George Bond set up his own label Shotgun Charlie Records and put out a new Briar 7" "Gimme All You Got".
The band issued one more single, "All She Wants", & an album "Hard Times", a keyboard heavy Bon Jovi styled release, but by 1993 Briar was no more.
I prefer to remember them like this. Check it out, the A-side is a corker!

BRIAR - Rainbow To The Skies 7" (1982) UK

http://www.megaupload.com/?d=NCGEEA3Q

And finally, the last in my recent run of rare Dead Boys releases...
Cleveland Ohio quintet THE DEAD BOYS evolved out of the band ROCKET FROM THE TOMBS, and were originally called FRANKENSTEIN.
When the band members relocated to New York City in July 1976, they adopted the Dead Boys moniker which came from the RFTT song "Down In Flames".
Moving to New York City at the encouragement of Joey Ramone, the RAMONES' lead singer, the Dead Boys quickly gained notoriety for their outrageous live performances.
They frequently played at the legendary Punk Rock club CBGB, and in 1977 they released their classic debut album, "Young, Loud and Snotty", on Sire Records.
Their single, "Sonic Reducer" is often regarded as one of the classics of the punk genre.
Sire Records pressured the group to change their look and sound to appeal more to the U.S. mainstream, and this contributed to Dead Boys breaking up in 1979 following the release of the "We Have Come For Your Children" LP.
Several 1979 performances were featured in the 1980 Punk Rock film, D.O.A..
A few months after the breakup the band had to reunite to record a live album and thus fulfill their contractual obligations, however, to exact revenge on the label, Bators purposely sang off mic and the resulting recording was unusable.
When the material eventually surfaced as the "Night Of The Living Dead Boys" LP on Bomp! Records, Bators had re-recorded his missing vocals in the studio.
Cheetah Chrome went on to record solo records, as well as playing on albums by RONNIE SPECTOR and JEFF DAHL.
Post-Dead Boys, Bators recorded the solo LP, "Disconnected", before forming THE WANDERERS, who released a lone LP, "Only Lovers Left Alive", in 1981.
The same year Bators co-starred in the satirical John Waters film, Polyester.
Bators then formed LORDS OF THE NEW CHURCH with Brian James from THE DAMNED and Dave Tregunna from SHAM 69.
They released three studio albums on IRS Records, and had a few minor hit singles.
The Dead Boys reformed for several gigs in 1987, and recorded a new single, the 2 song 12" "All The Way Down", on Relativity Records.
A live album from the reunion shows was released in 1988, called "The Return of the Living Dead Boys", in mainland Europe, it was retitled "Liver Than You'll Ever Be", everywhere else.
Bators made a memorable cameo appearance in 1988 as "Dick Slammer", lead singer of "The Blender Children", in the offbeat comedy movie, Tapeheads.
In 1990, due to injuries sustained after having been hit by a taxi, Stiv Bators sadly died in Paris, France, aged just 40.
Dave Tregunna said that Bators, a fan of THE DOORS' Jim Morrison, had earlier requested that his ashes be spread over Morrison's Paris grave and that his girlfriend complied.
However, director John Waters denies this, saying that Bator's girlfriend snorted his ashes!
The Dead Boys re-released their first album in 1997 as "Younger, Louder & Snottier", mastered from a tape of the original rough mixes.
In 1999, the original rough mixes for the second album were also released as the "3rd Generation Nation" album.
In 2003, after the release of archive "The Day The Earth Met The Rocket From The Tombs", Cheetah Chrome reformed ROCKET FROM THE TOMBS.
The reincarnation of the group toured, and in 2004 entered the studio to record some of the band's old material for the first time.
These recordings were released as "Rocket Redux".
In September 2004, the remaining members of the DEAD BOYS re-formed for a one-off gig in Cleveland.
In 2005, they played a benefit show for CBGBs and then played a final reunion show on Halloween.
Chrome now plays with NEW YORK DOLLS guitarist and long time friend, Sylvain Sylvain in a band called BATUSIS, who are due to release a debut album in 2011.
Dead Boys are now rightly recognized as one of the Punk era's most influential bands, and their songs have been covered by bands as diverse as GUNS'n'ROSES, PEARL JAM and THE HELLACOPTERS.

DEAD BOYS - Buried Gems 7" (1978/1980) USA

http://www.megaupload.com/?d=ALFS4ZKG

So that's your selection for this evening, i think you'll find a lot to enjoy if you care to investigate them.
Great big huge masseeeve thanks are due to George for hooking me up with the GREG LEON INVASION album which i'd been after for quite a while.
That you turned up a pristine 320kbps rip with both sides of their earlier single as bonus tracks is frankly just showing off George, but i salute you for your assistance.
If you still need even more of the vintage hard stuff take a bop over to my Still Alive & Well Blog which i've finally updated with some vintage US Heavy Metal from 1983 and '84.
The address is http://guntherspaps.blogspot.com and if you fancy taking a leaf outta George's book and hooking me up with a few of my "wants" list items, they're listed on the right hand side of the page. Good karma will surely follow you if you do.
Thanks to all of yer who took the time to comment on the last post, it was much appreciated, although due to some (hopefully soon fixed), computer issues i was unable to reply to any of the points raised.
More of the same this time too please!
So that's it for another two weeks, see you back here in about 14 days for some more of the similar but different.