Saturday, December 25, 2010

SMOKING OUT THE MOLE

Ho Ho Ho!
A merry whatever to you, one and all!
I got you all some musical presents, they're right here for you tonight, sitting under the NILOOB Chrimbo tree.
Also, a few of you took me up on my "gift" idea, so there's even more goodies to choose from tonight than usual.
Many thanks to Gifford, Rob Rob and Nightsblood for taking the time to get into the holiday spirit and sharing some quality obscure music with all of us.
Gifford, i don't know how you came to share the ultra-rare MUSIC MACHINE EP with us, but it's really odd that you did as i had literally just watched "The Helter Skelter Murders", the night before i got your link!
You sir, are a spooky, but generous, man.
Enough of the waffle eh?
I can tell you just wanna open your prezzies.
Wire in!
In 1977, 4 teenagers aged between 15 and 16 formed one of the first Heavy Metal bands in Spain in Mislata, Valencia which they called WOLFRAM .
In late 1977 new drummer Javier Hervías joined, and after changing their name to ZARPA (which translates as "Claw"), in early 1978 they recorded their first LP, "Los 4 Jinetes Del Apocalypsis" ("The 4 Horsemen Of The Apocalypse").
By late 1979, the members of the band were obligated to undertake military service, and so released a demo entitled "Adictos Al Crimen" ("Addicted To Crime"), to keep the band's name alive whilst they served.
In 1981 the band returned to action, focussing initially on live work by touring all over Spain.
1982 saw the release of a new LP called "¿Ángeles O Demonios?" ("Angels And Demons"), on Xirivella Records label, a self-funded work recorded in just 24 hours.
In 1984 the band released their next LP, "Herederos De Un Imperio" ("Heirs Of Empire"), on the larger Twins Records label.
The album reached the national top 40 and Zarpa toured extensively and played several major festivals.
In 1985 the group recorded a demo which was never released called "Progress".
Zarpa toured Switzerland and France in 1987, and recorded their next LP in Geneva after recording a further demo, "En Ruta Hacia Europa" ("En Route To Europe").
On completion of the recordings however, the band are so unhappy with the album that the recordings are discarded.
In 1988, with the popularity of Heavy Metal on the wane in Spain, the group disbanded and the members went their separate ways.
In 1992 Zarpa reconvened, recording the 5 song "Like A Locomotive" demo, but this is as far as their tentative reunion gets.
In 2002 a new line up of Zarpa recorded another album called "Luchadores De La Paz" ("Fighters For Peace"), reintroducing the band to old and new fans alike.
To celebrate the band's 25th anniversary, the following year saw the release of three (yes, three!) live albums, "En Vivo En Grilly", "En Vivo Sala Canaan" and "En Vivo Sala Garage".
With the release finally of the previously abandoned 1987 "En Ruta Hacia Europa", album (albeit in remixed and partially re-recorded form), coming in 2004, Zarpa signed with the German Karthago Records label and then released a brand new album called "Infierno" ("Hell").
This was the best time for Zarpa since the golden age of the group, with main man Vicente having finally found the ideal band members to realize his ever evolving musical vision.
Inspired by the resurgence of interest in Zarpa, 2007 brings a great new album called "El Yunque Contra El Martillo" ("The Anvil Against The Hammer").
In 2009 the band released their latest work, the "Iberia" album, which garnered Zarpa some of the best reviews of their career.
Here's hoping that the renewed interest in the band translates into sales and some respect for one of Spain's pioneering Heavy bands, as they're in great form just now, and it's long overdue.

ZARPA - Herederos De Un Imperio (1984) Spain

http://www.megaupload.com/?d=TNPM76NJ

DRAGONNE were an obscure US Heavy Metal quartet formed in Los Angeles, California in 1986.
As well as having that Trad Metal sound down, they were also unusually melodic for the time, Power Metal style, but could hammer it out when they wanted to like the prevalent Thrash bands of the era.
Dragonne was formed by talented guitarist Aaron Lee Appleton, who called in a favour from old friend Jeff Scott Soto when the band entered the studio in 1987.
As well as co-producing the six track demo recording, Soto also contributed backing vocals to the sessions.
Deciding to issue the recordings on vinyl, the band self released their "On Dragon's Wings" Mini LP (with a killer fantasy art sleeve), in 1988.
Just before the Mini Lp's release drummer Danny Einspahr was replaced by Chris Amesquita, and the band went on tour to drum up interest in the record.
However, despite the undoubted quality of the release, and enthusiastic audiences and reviews, no record company interest was forthcoming.
With Amesquita leaving to join former MALICE and AGENT STEEL members in Hardcore/Thrash/Crossover band THE MOFO HOMEBOYS, the band struggled on for a few months before folding in early 1989.
Original vinyl copies of "On Dragon's Wings" now change hands for silly money, thanks to the presence of JSS, the rarity of the release, and it's undoubted quality.
The Mini LP was reissued on CD by Hot Metal Records in 1993, although i believe that was a bootleg as was a later picture disc vinyl pressing.

DRAGONNE - On Dragon's Wings Mini LP (1988) USA

http://www.megaupload.com/?d=WV2OZ4NT

THE HELLACOPTERS were a Swedish Hard Rock/Garage band that was formed in 1994 by Nicke Andersson, Dregen, Kenny Håkansson and Robert Eriksson.
Andersson had been the drummer for Death Metal band ENTOMBED and Dregen was taking a break from his full-time band BACKYARD BABIES.
Dregen and Eriksson had been roadies for Entombed, while Håkansson was a childhood friend of Andersson's.
The Hellacopters were initially conceived as a side project for Andersson and Dregen, but it eventually became the main songwriting and performance vehicle for Andersson.
The band released their Swedish Grammy-winning debut album "Supershitty To The Max!" in 1996.
Just before a tour opening for KISS, the band recruited keyboardist and percussionist Anders Lindström on a part-time basis; he would become a full-time member in 1999.
After 2nd album, "Payin' The Dues", in 1998, Dregen left the band to return to Backyard Babies full-time, and Mattias Hellberg and Danne Andersson were recruited to complete the band's touring responsibilities.
After the release of "Grande Rock", which featured additional guitar playing from both Lindström and Hellberg, Robert "Strings" Dahlqvist was hired as a full-time lead guitarist in 1999.
With the lineup now solidified, the band released three more studio albums, a "best of" album and an album of cover versions, with many EP's, singles, split albums and limited edition vinyl releases issued as well.
The best of the band's non-album works were collected on two compilation albums, "Cream Of The Crap" Volumes 1 & 2.
During these years the band were recognized as one of the most influential and prolific groups from Scandinavia, and toured all over the world, usually as headliners, but also with the likes of ZZ TOP, THE HIVES and THE ROLLING STONES.
The Hellacopters disbanded amicably in 2008 so the members could move on to other projects.

THE HELLACOPTERS - BBC : The John Peel Session (1999) Sweden

http://www.megaupload.com/?d=36OJGOGO

American Heavy Metal/Hard Rock quintet FURY were formed in Hamilton, Ohio way back in 1978.
After numerous line up reshuffles, the band stabilized around 1981, building up a strong live following in the Ohio area.
Debuting in 1983 with the six song "Fury" Mini LP on their own Furious Records label, the band took a step up locally, supporting national touring acts passing through Ohio.
1984 saw the departure of singer Don Delph and bassist Pat Bishop, who were quickly replaced by Ronnie Roch (Vocals) and Dave Marcum (Bass).
Keen to keep up their momentum, Fury were soon back in the studio to record a brand new EP.
Issued in 1984, the four song "Sharp Knives, Heavy Chains" EP, appeared on the now re-christened Furyous Records.
However, the band were to fall apart soon after the EP's release, leaving Fury as a footnote in the Metal history books.
In the intervening years, both of the band's scarce releases have become top dollar collectibles, and remain a damn fine listen.

FURY - Sharp Knives, Heavy Chains EP (1984) USA

http://www.megaupload.com/?d=WQGL9QX5

Here's a contribution from blog visitor Rob Rob, thanks very much mate, it's greatly appreciated!
Over to Rob Rob:
Hi there,
here's a tape transfer of a band called CEZAR from Kendal, Cumbria.
Some great Keys on this from Gavin Bull (who went on to play with BIG AMONGST SHEEP).
Don't have all the songtitles - "Manhattan Skyline" has an awesome riff to it - but the last track is a bit of a funky workout!
Shame this didn't make it to vinyl, it would have been a NWOBHM classic!
Sorry, don't know Bassist!
Cheers and a merry xmas!!
Rob--Rob

CEZAR - Demo (1980) UK

http://www.megaupload.com/?d=7JGVLQPD

Next, another visitor contribution, this time from Gifford, who's gone further back in time to dig up something rare for you all.
If you like dark, fuzzy Psychedelic Garage Rock you folks are in for a treat.
Awesome pick Gifford!
THE MUSIC MACHINE was an American Garage Rock and Psychedelic band from the late 1960's, headed by singer-songwriter Sean Bonniwell and based in Los Angeles.
The band's sound was defined by their fuzzy Guitars and Farfisa Organ, which complimented their often dark and brooding music.
The group came together as THE RAGAMUFFINS in 1965, but became The Music Machine in 1966.
In addition to Bonniwell, the original line-up consisted of Ron Edgar (drums), Mark Landon (guitar), Keith Olsen (bass), and Doug Rhodes (organ).
Their original look consisted of all-black clothing and a single black glove.
Their debut album, "(Turn On) The Music Machine", was released in 1966 on the Original Sound label.
The single, "Talk Talk", became a Top 20 hit in the U.S.
After a promotional tour of the U.S., the rest of the original line-up (Edgar, Landon, Olsen, and Rhodes), left Bonniwell, due to internal conflicts.
Rhodes and Edgar subsequently teamed with Curt Boettcher and others to record as part of THE MILLENIUM.
In 1967, The Music Machine were signed to Warner Bros. and re-named THE BONNIWELL MUSIC MACHINE.
A self-titled LP was released that year, made up mostly of previously recorded singles with the original line-up.
The recording spawned no big hits, despite the inclusion of a few more pop-oriented songs.
A third Music Machine album was recorded but never released.
In 1969, Bonniwell released a solo album called "Close", on the Capitol Records label under the name T.S. BONNIWELL.
The recording received minimal label support and displeased Bonniwell enough that he left the music business altogether.
He entered a period of spiritual quest and internal soul-searching, grew a beard, sold everything he owned, and drove around the U.S.
Whilst Bonniwell was off on his travels, his former manager allowed the use of 4 Music Machine songs in the soundtrack to the film "The Helter Skelter Murders".
Also known as "The Other Side Of Madness", the movie was released in 1970 and was a low budget flick about the murders commited by followers of Charles Manson.
Bonniwell was extremely upset that his music had been used in the film, where it appeared alongside 2 songs performed by Manson himself.
A soundtrack EP for the movie was briefly made available in 1970, before being hastily withdrawn at Bonniwell's insistence.
This in turn led to the EP being bootlegged, adding to the notoriety of the record, with originals and even early bootlegs on the Cream Records label now fetching high prices.
In 2000, a Bonniwell Music Machine album called "Ignition" was released on Sundazed Records.
This is a collection of songs from the unreleased 1969 album, as well as demo tracks from the band's Raggamuffin days in 1965.
In 2000, Bonniwell wrote about his life and The Music Machine in his autobiography, "Beyond The Garage".

THE MUSIC MACHINE - The Helter Skelter Murders OST EP (1970) USA

http://www.megaupload.com/?d=PIZWSFQS

The final visitor contribution comes from the redoubtable Nightsblood, a long time friend of the blog.
He contributed an excellent piece of NWOBHM history for your enjoyment, which he'll now elucidate himself.
Here we have my all-time favorite heavy metal single.
North Yorkshire’s CHARGER were latecomers to the NWOBHM scene.
Front man and bassist Colin Bell had previously made the rounds with the excellent DARK HEART before also doing time with ROULETTE and HOLOSADE, though according to Kerrang Bell had moved on to his next project- CHARGER- by mid 1987.
In fact, CHARGER had already made their vinyl debut in 1986 on Ebony’s ‘The Metal Collection Volume 1’ compilation with a song not-so-inventively titled ‘Rock’.
CHARGER’s only other release was the 1987* ‘Desperadoes’ single, housed in an excellent monochrome sleeve depicting a chimera.
The songs on display are much more advanced than their compilation debut.
‘Desperadoes’ is a bona-fide barn-burner, with a powered-out, relentless drive akin to JAGUAR’s ‘Axe Crazy’.
Bell is in fine form, and his tough, energetic delivery fits the proto-power metal style perfectly.
Flipside ‘Are You Out There?’ is another energetic affair, though this tune has a more anthemic structure with a chorus meant to be sang along to be legions of fist-pumping, adoring fans.
Except that the legions never materialized, and the band eventually faded into obscurity, a series of support slots for TYGERS OF PAN TANG likely being the highlight of their all too brief existence.
Legend has it copies of the single were given away through a local fish and chips shop, proving yet again that yesterday’s dinner tray is today’s rare, high-dollar NWOBHM gem.
* Note that some debate remains concerning the single’s release date.
However, given the timeline of Bell’s departure from HOLOSADE, the band’s appearance on the 1986 compilation, and a Kerrang review of the single in late 1987, the available evidence makes the 1987 date pretty concrete in my opinion.
Nevertheless, certain people and archival websites continue to insist on a release date as early as 1984 without providing any supporting proof.
Boo.
Information for this entry was taken from Malc Macmillian’s ‘The NWOBHM Encyclopedia’.
Credit for the rip goes to Terry Hanchin (BOULDER)- thanks Terry!
And sincere thanks to you too Nightsblood, from all at NILOOB.

CHARGER - Desperadoes Single + 1 (1987) UK




















http://www.divshare.com/download/13462154-2b4

And finally, here's my last contribution for the evening.
Cleveland Ohio quintet THE DEAD BOYS evolved out of the band ROCKET FROM THE TOMBS, and were originally called FRANKENSTEIN.
When the band members relocated to New York City in July 1976, they adopted the Dead Boys moniker which came from the RFTT song "Down In Flames".
Moving to New York City at the encouragement of Joey Ramone, the RAMONES' lead singer, the Dead Boys quickly gained notoriety for their outrageous live performances.
They frequently played at the legendary Punk Rock club CBGB, and in 1977 they released their classic debut album, "Young, Loud and Snotty", on Sire Records.
Their single, "Sonic Reducer" is often regarded as one of the classics of the punk genre.
Sire Records pressured the group to change their look and sound to appeal more to the U.S. mainstream, and this contributed to Dead Boys breaking up in 1979 following the release of the "We Have Come For Your Children" LP.
Several 1979 performances were featured in the 1980 Punk Rock film, D.O.A..
A few months after the breakup the band had to reunite to record a live album and thus fulfill their contractual obligations, however, to exact revenge on the label, Bators purposely sang off mic and the resulting recording was unusable.
When the material eventually surfaced as the "Night Of The Living Dead Boys" LP on Bomp! Records, Bators had re-recorded his missing vocals in the studio.
Cheetah Chrome went on to record solo records, as well as playing on albums by RONNIE SPECTOR and JEFF DAHL.
Post-Dead Boys, Bators recorded the solo LP, "Disconnected", before forming THE WANDERERS, who released a lone LP, "Only Lovers Left Alive", in 1981.
The same year Bators co-starred in the satirical John Waters film, Polyester.
Bators then formed LORDS OF THE NEW CHURCH with Brian James from THE DAMNED and Dave Tregunna from SHAM 69.
They released three studio albums on IRS Records, and had a few minor hit singles.
The Dead Boys reformed for several gigs in 1987, and recorded a new single, the 2 song 12" "All The Way Down", on Relativity Records.
A live album from the reunion shows was released in 1988, called "The Return of the Living Dead Boys", in mainland Europe, it was retitled "Liver Than You'll Ever Be", everywhere else.
Bators made a memorable cameo appearance in 1988 as "Dick Slammer", lead singer of "The Blender Children", in the offbeat comedy movie, Tapeheads.
In 1990, due to injuries sustained after having been hit by a taxi, Stiv Bators sadly died in Paris, France, aged just 40.
Dave Tregunna said that Bators, a fan of THE DOORS' Jim Morrison, had earlier requested that his ashes be spread over Morrison's Paris grave and that his girlfriend complied.
However, director John Waters denies this, saying that Bator's girlfriend snorted his ashes!
The Dead Boys re-released their first album in 1997 as "Younger, Louder & Snottier", mastered from a tape of the original rough mixes.
In 1999, the original rough mixes for the second album were also released as the "3rd Generation Nation" album.
In 2003, after the release of archive "The Day The Earth Met The Rocket From The Tombs", Cheetah Chrome reformed ROCKET FROM THE TOMBS.
The reincarnation of the group toured, and in 2004 entered the studio to record some of the band's old material for the first time.
These recordings were released as "Rocket Redux".
In September 2004, the remaining members of the DEAD BOYS re-formed for a one-off gig in Cleveland.
In 2005, they played a benefit show for CBGBs and then played a final reunion show on Halloween.
Chrome now plays with NEW YORK DOLLS guitarist and long time friend, Sylvain Sylvain in a band called BATUSIS, who are due to release a debut album in 2011.
Dead Boys are now rightly recognized as one of the Punk era's most influential bands, and their songs have been covered by bands as diverse as GUNS'n'ROSES, PEARL JAM and THE HELLACOPTERS.

DEAD BOYS - All The Way Down 12" (1987) USA

http://www.megaupload.com/?d=V4LZ46VX

As usual, no password is necessary to open any of the rar files.
Where possible i've included full cover art and (hopefully) informative txt files in the rars too.
Hope you're all having a great festive season, and that Santa brought you whatever your heart desired.
Also, that you find something to make yer bells jingle amongst tonight's festive postings.
As per usual, i'd love to read what the hell you all make of the stuff we bring you on the blog, so feel free to make full use of the "comments" function below to do just that, okay?
Same goes for requests, criticisms, lavish praise and obscure recollections, i wanna read them okay?
So, that's it for now, enjoy the rest of the holidays folks, and have a great new year.

Monday, December 06, 2010

THE COLONEL'S REVENGE

Good evening and welcome to another vault ransacking post from the New Improved Live & Otherwise Blog.
We're going global tonight with items from the UK, the USA, Spain and Canada.
The thing they all have in common is that they Rawk, plain and simple.
Without further ado...
The history of New Wave Of British Heavy Metal pioneers LYADRIVE from Uxbridge, North London, goes back to the very early '80's, when they recorded a song called "Another Time Another Place".
The band was, at this stage in their career, still called TEMPEST RIDE and the number was released on "The Bridge Album" compilation LP in 1982.
Soon after, they changed their name to Lyadrive and recorded the song "We've Got The Rock (You're gonna Roll)", for the Ebony Records "Metal Warriors" compilation LP in 1983.
A 7" single for Bridge Records followed this, featuring the two numbers "Anytime" and "White Dress", which saw the light of day in 1984.
The group signed with Brickyard/Loose Records, but their plans were scuppered when the label quickly went into receivership.
After failing to get the elusive deal, disappointed, Lyadrive disbanded in 1985.
The band made a surprising comeback in 1998, when they released their "Another Time, Another Place" CD on Minority One Records, which consisted of new recordings of old demo material (plus a cover of TRESPASS' "One Of These Days").
In 2008, "The Sands Of Time", an 11 song vinyl-only album for High Roller Records, features all the original recordings of the classic 1982/83 line up including their compilation appearances, the single and their demos.
Drummer Lee Burrows elaborates on the material on "The Sands Of Time" :
"The new vinyl, as the title suggests, is five original demos and our first six studio recordings, two of which have never been heard before by the public.
It seemed to be standard practice at the time to record at least two songs when you went into the studio, thus giving you the option to compare them in real time and decide which looked more likely to sound better.
So when we recorded the track 'Another Time Another Place', we also recorded 'Fortunes Of War'.
Likewise 'We've Got The Rock' at Ebony was coupled with 'Spinning The Wheel'."
After the release of "Sands Of Time", Lyadrive issued another full-length album on High Roller Records, again featuring a compilation of material, this time all recorded after 2000.
This vinyl only 2008 disc was called "Post Millennium Blues", and featured 8 studio songs and two live tracks.
The band also appeared at the British Steel III festival at the Camden Underworld in London with WITCHFYNDE, PRAYING MANTIS and ELIXIR.
In 2009, Lyadrive issued the half live, half studio, "One Night In London" LP, again a vinyl only release on High Roller Records, this time limited to 300 copies (200 on red vinyl, and just 100 on black).
If you're a fan of vinyl and you enjoy "The Sands Of Time", get yourself over to www.High-Roller-Records.de where they still have limited stock of the LP, and at the bargain price of only 8 Euros too!

LYADRIVE - The Sands Of Time (1982-1983) UK

http://www.megaupload.com/?d=K4FUTFJC

In 1977, 4 teenagers aged between 15 and 16 formed one of the first Heavy Metal bands in Spain in Mislata, Valencia which they called WOLFRAM .
In late 1977 new drummer Javier Hervías joined, and after changing their name to ZARPA (which translates as "Claw"), in early 1978 they recorded their first LP, "Los 4 Jinetes Del Apocalypsis" ("The 4 Horsemen Of The Apocalypse").
By late 1979, the members of the band were obligated to undertake military service, and so released a demo entitled "Adictos Al Crimen" ("Addicted To Crime"), to keep the band's name alive whilst they served.
In 1981 the band returned to action, focussing initially on live work by touring all over Spain.
1982 saw the release of a new LP called "¿Ángeles O Demonios?" ("Angels And Demons"), on Xirivella Records label, a self-funded work recorded in just 24 hours.
In 1984 the band released their next LP, "Herederos De Un Imperio" ("Heirs Of Empire"), on the larger Twins Records label.
The album reached the national top 40 and Zarpa toured extensively and played several major festivals.
In 1985 the group recorded a demo which was never released called "Progress".
Zarpa toured Switzerland and France in 1987, and recorded their next LP in Geneva after recording a further demo, "En Ruta Hacia Europa" ("En Route To Europe").
On completion of the recordings however, the band are so unhappy with the album that the recordings are discarded.
In 1988, with the popularity of Heavy Metal on the wane in Spain, the group disbanded and the members went their separate ways.
In 1992 Zarpa reconvened, recording the 5 song "Like A Locomotive" demo, but this is as far as their tentative reunion gets.
In 2002 a new line up of Zarpa recorded another album called "Luchadores De La Paz" ("Fighters For Peace"), reintroducing the band to old and new fans alike.
To celebrate the band's 25th anniversary, the following year saw the release of three (yes, three!) live albums, "En Vivo En Grilly", "En Vivo Sala Canaan" and "En Vivo Sala Garage".
With the release finally of the previously abandoned 1987 "En Ruta Hacia Europa", album (albeit in remixed and partially re-recorded form), coming in 2004, Zarpa signed with the German Karthago Records label and then released a brand new album called "Infierno" ("Hell").
This was the best time for Zarpa since the golden age of the group, with main man Vicente having finally found the ideal band members to realize his ever evolving musical vision.
Inspired by the resurgence of interest in Zarpa, 2007 brings a great new album called "El Yunque Contra El Martillo" ("The Anvil Against The Hammer").
In 2009 the band released their latest work, the "Iberia" album, which garnered Zarpa some of the best reviews of their career.
Here's hoping that the renewed interest in the band translates into sales and some respect for one of Spain's pioneering Heavy bands, as they're in great form just now, and it's long overdue.

ZARPA - ¿Ángeles O Demonios? (1982) Spain

http://www.megaupload.com/?d=LXU2E38C

"Moose Molten Metal Volume 2", was the second and final album in the short lived series of compilation albums designed to showcase Canadian Hard Rock and Heavy Metal talent.
Released in 1986, like it's predecessor it was issued by Capitol Records in the US and Canada, and by Heavy Metal America in Europe.
Here's a track by track dissection of the album by Keir from www.thecorroseum.com
HARLOT'S WEBB - Black Is The Nite
Excellent US Metal style similar to LEATHERWOLF or FIFTH ANGEL.
RISE - Lonely, Lonely
Unremarkable low quality Hair Metal.
HARLOTT - There For The Taking
Starts out with a promising Metal intro but soon changes to a simple Hard Rock beat, the result being something akin to DOKKEN.
Not bad at all really and the chorus has a nice melody.
READY TO RIP - Conquer Or Be Conquered
Well done but unoriginal Metal, sort of like one of ARMORED SAINT's more forgettable tracks.
Produced by Rick Santers of SANTERS..
NYTRIX - Don't Believe In Tomorrow
I think the singer was trying to sound like David Wayne a la “Gods of Wrath”, but I swear he’s a dead ringer for Tom Keifer from CINDERELLA.
The music on the other hand is actually quite doomy, fitting to the song title, and the guitar solo sounds a bit like something SCORPIONS might have done in the '70's.
It might sound confusing, but overall this is one of the best songs on the LP.
VIGILANTS - Coming Back On You
Totally unremarkable Hard Rock like a slightly heavier GREAT WHITE.
SENTINEL - Rock Free
Let’s see, it’s 2 years after the release of "Defenders Of The Faith", the band’s name is SENTINEL and the song is “Rock Free”.
Who do you think they sound like?
Actually, they're a bit sleazier than your typical JUDAS PRIEST clone.
SYE - You've Got The Power
Sort of a Canadian MOTORHEAD with occasional high pitched vocals thrown in.
HATEFUL SNAKE - Dark Of Night
I'm sure if they wrote this song earlier than 1986 Brian Slagel would've snagged them for his label.
It has that early Metal Blade sound all over it.
OUTRAGE - Until You Bleed In
Thrash Metal heavily inspired by TANK, and pretty good for what it is.
They also appeared on "Speed Metal Hell II".
If you enjoy this one and want to hear more, i posted volume 1 here a while back and a look through the archives should turn it up for your delectation.

VARIOUS ARTISTS - Moose Molten Metal Volume 2 (1986) Canada

http://www.megaupload.com/?d=BWKKQ6A9

Chicago's EMMY STRUT were an obscure Heavy Metal four piece formed in 1981.
Their first recordings surfaced in 1984, in the form of a 5 track demo cassette.
The tape garnered the band some great reviews and spurred the guys on to make another recording.
In 1985 Emmy Strut recorded and released a four song self-titled EP, now a sought after and expensive "wants list" item for US Metal collectors.
Despite the meagre recording budget, the quality of the EP recordings bely their bargain basement origins, and have stood the test of time well.
Nowadays, clued in (and wealthy) fans of early 1980's Heavy Metal will tell you Emmy Strut rock, but back then, despite a strong local following, unfortunately no record deal was forthcoming.
Frustrated by their lack of progress, Emmy Strut split up in 1986.
Drummer Sean Schipper later joined ZOETROPE, playing on their 1993 "Mind Over Splatter" album.
He currently plays with Thrash/Hardcore trio LOKNUT, who have released 3 EPs since forming in 2002.
Again, if you enjoy this, their EP was also posted here long ago, have a rummage through the archives should you need it.

EMMY STRUT - 5 Track Demo (1984) USA

http://www.megaupload.com/?d=AFFC8VUE

LADY JANE were a very obscure but extremely talented NWOBHM quartet active in the early 1980's.
Their only release would seem to be the three song "The Sheer Power Of Rock" EP released on Schizoid Records in 1984.
Some copies came in a horrendously rare oversized picture sleeve identifying the release as the "Sheer Power Of Rock EP", however the vinyl labels don't bear this title.
Additionally some also came with a nice colour A4 promo poster stating "The Power Of Live Rock - Lady Jane In Concert" with a pic of the band.
The vinyl is extremely scarce according to Malc Macmillan's NWOBHM Encyclopedia, who says "only a few NWOBHM collectors are lucky enough to own a copy".
Malc says it sounds like "Spellbound"-era TYGERS OF PAN TANG, with bits of SAXON and MYTHRA", can't say fairer than that!
Whilst i totally hear the Tygers comparison, there's also something a little more commercial in there, like RAGE or early DEMON perhaps.
Nice stuff anyway, grab it here for free or buy a used copy for around 200 (!) Euros. The choice is yours!

LADY JANE - The Sheer Power Of Rock EP (1984) UK

http://www.megaupload.com/?d=6REXBAL2

This 7” includes two early MANOWAR tunes covered by two of Metal's finest cult bands.
This is a cool picture disc release, featuring individual black & white artwork on each side and was limited to 500 copies.
THE LORD WEIRD SLOUGH FEG's effort was exclusive to this release, whilst SOLSTICE’s take on "Gloves Of Metal" was also included on their "Halcyon" album.
SOLSTICE’s cover version is pretty close to the original, and is a job well done.
For those not in the know, SOLSTICE were from Bradford, England and played in the finest melodic, classic Doom Metal vein.
Very epic & melancholic, and at times with references to folk as well, sadly, Solstice disbanded in early April 2002, although a new line up of the band is now apparently active.
THE LORD WEIRD SLOUGH FEG’s version of "Fast Taker", is a bit different in approach, a bit more aggressive, vocally especially.
And the "Can’t Happen Here", (RAINBOW), influence is much more apparent here than on the original Manowar recording.
Still a very interesting version.
THE LORD WEIRD SLOUGH FEG are still active, although they now go by the shorter SLOUGH FEG moniker.
They recently released a new album, "The Animal Spirits", which, like all their other releases, is excellent.
I doubt whether there are still copies of this pic disc available, but good luck hunting one down if you like what you hear.
note : The artwork on the SOLSTICE side of the disc is by TWISTED TOWER DIRE guitarist Scott Waldrop.
Portions of this text were lifted from the website of the excellent Den Of Iniquity zine
http://users.telenet.be/denofiniquitybe/

THE LORD WEIRD SLOUGH FEG & SOLSTICE - Manowar Tribute Split 7" (2001) USA/UK

http://www.megaupload.com/?d=M4U6S8A2

Finally, just for you Ron...The Cheeb, SHRAPNEL were a Hard Rock/Punk/Garage/Power Pop outfit formed in New York in the late 1970's.
Their debut release, the "Combat Love" 7" was released in 1979, with a follow-up single "Go Cruisin'", issued in 1981.
The band played a lot in the New York area, including opening for THE RAMONES several times, and built up quite a large following.
Shrapnel also underwent a strange phase where they spent their stage time bedecked in military fatigues for no good reason, apparently the idea of their manager Legs McNeill.
The band then underwent line up changes, before reemerging as a quartet, by this time playing in a more straight down the line Hard Rock style.
Signing to Elektra Records, Shrapnel released a self titled five song Mini LP in 1984, but were dropped by the label soon after it's release.
At this point the band split, disheartened by their lack of progress.
Post SHRAPNEL, bassist Phil Caivano founded Thrash/Hardcore band BLITZPEER, releasing two albums on Epic Records.
Vocalist Dave Wyndorf would later found Stoner Rock institution MONSTER MAGNET and would later be joined in the band by his Shrapnel bandmate Phil Caivano.
SHRAPNEL guitarist Daniel Rey would become a much in-demand producer by the late 80's, working with the RAMONES, CIRCUS OF POWER and WHITE ZOMBIE to name but a few.
He also recorded with MANITOBA'S WILD KINGDOM and played guitar with the infamous female biker band CYCLE SLUTS FROM HELL.
As well as his Monster Magnet work, Phil Caivano is also part of STIGMA, the side project of AGNOSTIC FRONT man Vinnie Stigma, and the Hard Rock trio CAPRICORN.

SHRAPNEL - Combat Love 7" (1979) USA

http://www.megaupload.com/?d=E5Z00F77

So that's yer lot for another fortnight.
I hope you all find something of interest to enjoy amongst tonight's rather un-thematic selection, they say variety is the spice of life, i hope "they" are right.
I'm sure it has escaped no-one's notice that Christmas is right around the corner, looming large like a money-sucking, good-will leeching vampire.
I've been thinking/worrying about it for a couple of days and have come up with a little idea which i'm hoping you might help put into action.
As a little experiment, and as it's the "season of giving" (apparently), i've come up with a one-off co-operative scheme to fill all our stockings with vintage Rock this holiday season.
I know that there are a great many visitors to the blog who really know their stuff, as i constantly get additional tit-bits of info from the comments section, recommendations, and the like. So what i'm proposing to do is to make use of your knowledge and record collections.
Don't look so worried, i won't touch your records!
I reckon that if everyone has a think about it, and uploads one item which they'd like to share with their fellow visitors (and me!), that would be one enticing pile of presents under all our trees come Xmas morning!
Whaddaya reckon?
It needn't be a top dollar, rare as hen's teeth item, (although that might be nice!), just something that you'd like to share for whatever reason.
Maybe an old favourite that you don't feel got it's due at the time, something which reminds you of a special time, or just something which you just think everyone might enjoy, the choice is yours.
I'll kick in a couple of things too, i'm not asking anyone to do something i won't do myself.
So if you're going to participate, and i really hope you do, just upload your "present", post the link in the comments section by the 22nd, and i'll arrange it all into some kind of (hopefully) bumper holiday posting which will appear on the main page on Xmas Eve or Xmas day.
I'd ask that people refrain from posting brand new or recent releases, and that if you're posting an album, Demo, EP or 7" that it's complete, no single stray tracks. If you'd care to supply the art and/or your own info that'd be awesome, but it's not essential.
Also make sure you include your name/nickname so that i can credit you for the post concerned.
Hopefully this little experiment will work out well and we'll all have a little extra jingle in our bells come Chrimbo morning.
Take care out there people, it's cold and slippy.